elegance and grace with the châteaux of Nantouillet, Chenonceaux, and Azai-le-Rideau; and with the manor-house of Ango, near Dieppe, all sumptuous, lordly mansions; the old Louvre, the palace of kings, the cradle of monarchy, was regenerated under the care of Peter Lescot; the Hôtel de Ville, Paris, still bears witness to the varied talent of Dominique Cortona, who, as M. Vaudoyer said of him, “justly understood that, in building for France, he should act in a perfectly different manner to that in which he would have acted in Italy.” Under Henry II. and Charles IX. this activity continued, and the architects who sought their inspirations in Grecian and Roman antiquity, as much as in the souvenirs of the Italian Renaissance, delighted in loading all the elegant and graceful buildings with ornaments, with bas-reliefs, and with statues, which they seemed to carve in the stone, as delicately wrought as a piece of goldsmith’s work. Philibert Delorme built for Diana of Poitiers the Château d’Anet, that architectural jewel whose portico, transported piece by piece at the time of the revolutionary disorders, now decorates the court of the Ecole des Beaux-Arts; Jean Bullant built Ecouen for the Constable Anne de Montmorency; and the architect d’Anet undertook, by order of Catherine de Medicis, the construction of the Palace of the Tuileries, which, by a sort of exigency resulting from its particular destination, seemed typically to characterise the style of the French Renaissance.
Fig. 327.—Porte de Hal, Brussels. (Fourteenth Century.)
We must not burden with details this summary of one of the most important branches of art. The history of architecture is among those vast domains which demand either a short epitome or a thoroughly deep investigation. The epitome being alone consistent with the plan of our work, we must confine ourselves to its limits; but we may, perhaps, be allowed to think that the few rapid pages thus devoted to the subject have inspired the reader with the desire of penetrating farther into a study which is capable of offering him so many agreeable surprises, so many rational delights.
PARCHMENT AND PAPER.
Parchment in Ancient Times.—Papyrus.—Preparation of Parchment and Vellum in the Middle Ages.—Sale of Parchment at the Fair of Lendit.—Privilege of the University of Paris on the Sale and Purchase of Parchment.—Different Applications of Parchment.—Cotton Paper imported from China.—Order of the Emperor Frederick II. concerning Paper.—The Employment of Linen Paper dating from the Twelfth Century.—Ancient Water-Marks on Paper.—Paper Manufactories in France and other parts of Europe.
