While in Boston, a poor Swedish girl, a domestic in a family at Roxbury, called on Jenny. She detained her visitor several hours, talking about home, and other matters, and in the evening took her in her carriage to the concert, gave her a seat, and sent her back to Roxbury in a carriage, at the close of the performances. I have no doubt the poor girl carried with her substantial evidences of her countrywoman’s bounty.
My eldest daughter, Caroline, and her friend, Mrs. Lyman, of Bridgeport, accompanied me on the tour from New York to Havana, and thence home, via New Orleans and the Mississippi.
We were at Baltimore on the Sabbath, and my daughter, accompanying a friend, who resided in the city, to church, took a seat with her in the choir, and joined in the singing. A number of the congregation, who had seen Caroline with me the day previous, and supposed her to be Jenny Lind, were yet laboring under the same mistake, and it was soon whispered through the church that Jenny Lind was in the choir! The excitement was worked to its highest pitch when my daughter rose as one of the musical group. Every ear was on the alert to catch the first notes of her voice, and when she sang, glances of satisfaction passed through the assembly. Caroline, quite unconscious of the attention she attracted, continued to sing to the end of the hymn. Not a note was lost upon the ears of the attentive congregation. “What an exquisite singer!” “Heavenly sounds!” “I never heard the like!” and similar expressions were whispered through the church.
At the conclusion of the services, my daughter and her friend found the passage way to their carriage blocked by a crowd who were anxious to obtain a nearer view of the “Swedish Nightingale,” and many persons that afternoon boasted, in good faith, that they had listened to the extraordinary singing of the great songstress. The pith of the joke is that we have never discovered that my daughter has any extraordinary claims as a vocalist.
Our orchestra in New York consisted of sixty. When we started on our southern tour, we took with us permanently as the orchestra, twelve of the best musicians we could select, and in New Orleans augmented the force to sixteen. We increased the number to thirty-five, forty or fifty, as the case might be, by choice of musicians residing where the concerts were given. On our return to New York from Havana, we enlarged the orchestra to one hundred performers.
The morning after our arrival in Washington, President Fillmore called, and left his card, Jenny being out. When she returned and found the token of his attention, she was in something of a flurry. “Come,” said she, “we must call on the President immediately.”
“Why so?” I inquired.
“Because he has called on me, and of course that is equivalent to a command for me to go to his house.”
I assured her that she might make her mind at ease, for whatever might be the custom with crowned heads, our Presidents were not wont to “command” the movements of strangers, and that she would be quite in time if she returned his call the next day. She did so, and was charmed with the unaffected bearing of the President, and the warm kindnesses expressed by his amiable wife and daughter, and consented to spend the evening with them in conformity with their request. She was accompanied to the “White House” by Messrs Benedict, Belletti and myself, and several happy hours were spent in the private circle of the President’s family.
Mr. Benedict, who engaged in a long quiet conversation with Mr. Fillmore, was highly pleased with the interview. A foreigner, accustomed to court etiquette, is generally surprised at the simplicity which characterizes the Chief Magistrate of this Union. In 1852 I called on the President with my friend the late Mr. Brettell, of London, who resided in St. James Palace, and was quite a worshipper of the Queen, and an ardent admirer of all the dignities and ceremonies of royalty. He expected something of the kind in visiting the President of the United States, and was highly pleased with his disappointment.