“True; but I think your letter is more curious than your animal.”
“Then I give you full leave to read the letter to all who ask you about the ‘gorilla.’ ”
“Thank you,” said Du Chaillu, “and I wish you would let me read it in my lectures at the West, where I am soon going on a tour.”
I consented that he should do so, and I afterwards heard that he was delighting as well as enlightening western audiences on the subject of Manager Ferguson’s management of the great “gorilla” in the Barnum and Van Amburgh Museum and Menagerie.
The menagerie of living animals was superior in extent to any other similar collection in America, embracing, as it did, almost every description of wild animal ever exhibited, including the smallest African elephant, and the only living giraffe then in the United States. The collection of lions and royal Bengal tigers was superb. There was a cage full of young lions that attracted great attention, and the whole menagerie was an exceedingly valuable one. When I say that to these attractions was added an able dramatic company, which performed every afternoon and evening, and that the admission to the entire establishment was but thirty cents, with no extra charge, except for a few front seats and private boxes, it is no wonder that this immense building, five stories high, and covering ground seventy-five by two hundred feet in area, was thronged “from sunrise to ten P. M.,” and from top to bottom, with country and city visitors, of both sexes and all ages. The public was soon thoroughly convinced of the facts; first, that never before was such an outlay made for so great an assemblage of useful and amusing attractions, combining instruction with amusement, and thrown open to the people at so small a charge for admission; and second, that the surest way of deriving the greatest profit, in the long run, is to give people as much as possible for their money. That these facts were fully impressed upon our patrons is instanced in the monthly returns made to the United States Collector of Internal Revenue for the district, which showed that our receipts were larger than those of Wallack’s Theatre, Niblo’s Garden, or any other theatre or place of amusement in New York, or in America.
Anxious to gather curiosities from every quarter of the globe, I sent Mr. John Greenwood, junior, (who went for me to the isle of Cyprus and to Constantinople, in 1864,) on the “Quaker City” excursion, which left New York June 8, 1867, and returned in the following November. During his absence Mr. Greenwood travelled 17,735 miles, and brought back several interesting relics from the Holy Land, which were duly deposited in the Museum.
Very soon after entering upon the premises, I built a new and larger lecture room, which was one of the most commodious and complete theatres in New York, and I largely increased the dramatic company. Our collection swelled so rapidly that we were obliged to extend our premises by the addition of another building, forty by one hundred feet, adjoining the Museum. This addition gave us several new halls, which were speedily filled with curiosities. The rapid expansion of the establishment, and the immense interest excited in the public mind led me to consider a plan I had long contemplated, of taking some decided steps towards the foundation of a great free institution, which should be similar to and in some respects superior to the British Museum in London. “The Barnum and Van Amburgh Museum and Menagerie Company,” chartered with a capital of $2,000,000 had, in addition to the New York establishment, thirty acres of land in Bridgeport, whereon it was proposed to erect suitable buildings and glass and wire edifices for breeding and acclimating rare animals and birds, and training such of them as were fit for public performances. In time, a new building in New York, covering a whole square, and farther up town, would be needed for the mammoth exhibition, and I was not with out hopes that I might be the means of establishing permanently in the city an extensive zoölogical garden.
It was also my intention ultimately to make my Museum the nucleus of a great free national institution. When the American Museum was burned, and I turned my attention to the collection of fresh curiosities, I felt that I needed other assistance than that of my own agents in America and Europe. It occurred to me that if our government representatives abroad would but use their influence to secure curiosities in the respective countries to which they were delegated, a free public Museum might at once be begun in New York, and I proposed to offer a part of my own establishment rent-free for the deposit and exhibition of such rarities as might be collected in this way. Accordingly, a week after the destruction of the American Museum, a memorial was addressed to the President of the United States, asking him to give his sanction to the new effort to furnish the means of useful information and wholesome amusement, and to give such instructions to public officers abroad as would enable them, without any conflict with their legitimate duties, to give efficiency to this truly national movement for the advancement of the public good, without cost to the government. This memorial was dated July 20, 1865, and was signed by Messrs. E. D. Morgan, Moses Taylor, Abram Wakeman, Simeon Draper, Moses H. Grinnell, Stephen Knapp, Benjamin R. Winthrop, Charles Gould, Wm. C. Bryant, James Wadsworth, Tunis W. Quick, John A. Pitkin, Willis Gaylord, Prosper M. Wetmore, Henry Ward Beecher, and Horace Greeley. This memorial was in due time presented, and was indorsed as follows:
“Executive Mansion, Washington, D. C.
April 27, 1866.
The purpose set forth in this Memorial is highly approved and commended, and our Ministers, Consuls and commercial agents are requested to give whatever influence in carrying out the object within stated they may deem compatible with the duties of their respective positions, and not inconsistent with the public interests.