From Boston my exhibition went through New Hampshire and into Maine as far as Waterville. Why the show did not go to towns beyond in the State is fully and amusingly explained in the following, which appeared in the New York Tribune, August 19, 1871:
BARNUM’S MENAGERIE AND CIRCUS.
One of the greatest successes ever achieved in the annals of the sawdust ring has been accomplished the present season by P. T. Barnum’s Museum, Menagerie and Circus. From the inception of the enterprise success has crowned its efforts. Mr. Barnum’s name in itself has been a tower of strength, and to his direction and general control its success is due. There are few men that have the courage to invest nearly $500,000 in so precarious a business, and to run it at a daily expense of nearly $2,500. But Mr. Barnum had faith that the public would respond liberally to his appeal. One great secret of his success has been ever to give the public a great deal for their money, and to fix the prices of admission at popular rates. But we doubt if he expected so great a success as has recently, in the State of Maine, been showered upon him. It is worthy of being recorded as equal to Jenny Lind’s triumphal American tour. It had originally been the intention to make a tour with the great show as far east as Bangor, Me., and it was so announced, but subsequently they found that there were many bridges over which it was impossible for the large chariots to pass, and that the show would be obliged to make stands at several small towns en route which could not possibly pay the running expenses even if every inhabitant attended, consequently it was decided that Lewiston, Me., should be the terminus of their eastern tour. The following letter, dated Winthrop, Me., July 30, from a correspondent, will best convey the idea of the great interest and enthusiasm there manifested by the people:
“The business in Maine has been immense, contrary to the predictions of showmen generally. Since entering the State, except at Brunswick, where it rained hard all day, they have been compelled to show three times daily to accommodate the vast crowds that flocked from every direction. While exhibiting at Gardiner and Augusta persons came all the way from Bangor. When they reached Waterville, a scene occurred which has never been equaled in this or any other country. The village was crowded with people who had come from the surrounding country, many of them travelling a distance of seventy-five miles, and all the morning crowds were pouring in from all points of the compass in carriages, wagons, ox-carts, and on foot. Near the circus tents, in an adjoining field, were several large tents pitched, which had served to shelter the people the previous night who had come long distances and encamped there. The authorities of the village had taken the precaution to stop the sale of all spiritous liquors during that day, and had caused barrels of water and plenty of ice to be placed at the street corners, for the free use of all. Carts were provided at the expense of the village to constantly replenish the barrels. The early morning performance was commenced and it was found that they could not accommodate a tithe part of their patrons, and ere its close an excursion train of twenty-seven cars, crowded in every part, came in from Bangor, closely followed by another of seventeen cars from Belfast. Seeing this vast accession to the already large numbers of visitors, the manager was somewhat puzzled how to accommodate them. Finally, it was decided to give a continuous exhibition, giving an act in the circus department every few moments. This style of performance was kept up without cessation until nine o’clock in the evening, when a heavy shower of rain falling, afforded the manager an excuse to close the exhibitions. The men and horses were completely exhausted, and their next drive being forty-eight miles to Lewiston, where they were to exhibit three times, they shipped all the ring horses by railroad, to give them an opportunity for much needed rest. On driving out of Augusta, on July 29, they narrowly escaped an accident similar to the one which happened in New Jersey. One of the passenger wagons, with twelve passengers and having four horses attached, had driven down a steep hill, when suddenly they came upon a locomotive crossing the road immediately in front of them. The driver, with great presence of mind, suddenly pulled the horses to the right, making an abrupt turn, which overturned the wagon, breaking the arm of Mr. Summerfield, one of the business men, bruising several others, and injuring somewhat severely Josephe, the French giant, who was compelled to remain behind the show for a couple of days.”
From Maine we went across Vermont, exhibiting in the more important places, to Albany and Troy. At Albany it was impossible to secure a suitable locality for the exhibition short of a distance of two miles from the city; yet here distance seemed literally to “lend enchantment to the view,” for every exhibition was thronged, and here as everywhere, thousands were turned away who were unable to find room.
Our route from Albany was along the line of the New York Central Railroad to Buffalo, and back by the Erie Railway to the Hudson River, exhibiting nearly everywhere, and after exhibitions at Catskill, Poughkeepsie and Newburg, returning to New York. Our tour through the country was more than a carnival—it was a perfect ovation; and best of all, the public and the press, with one accord, pronounced the exhibition even better and greater than I had advertised.
At the close of the travelling season I desired to exhibit my great show to my New York patrons, and to return again to the metropolis where, in days gone by, the children, the parents, and the grandparents of the present generation have flocked in millions to my museum. Accordingly I secured the Empire Rink immediately after the close of the American Institute Fair, and opened in that building November 13, 1871. At least ten thousand people were present, and in response to an enthusiastic welcoming call, I made a few remarks, the report of which I copy from the next morning’s New York World:
“A popular Eastern poet has said the noblest art a human being can acquire is the power of giving happiness to others. I sincerely hope this is true, for my highest ambition during the last thirty years has been to make the public happy. When I introduced the Swedish nightingale, Jenny Lind, to the American public in 1851, a thrill of pleasure was felt throughout the land by our most refined and intellectual citizens, as well as by every lover of melody in the humblest walks of life. As a museum proprietor for nearly thirty years I catered successfully to the pleasures of many millions of persons. Nor have my efforts been confined to this continent. As a public exhibitor I have appeared before kings, queens and emperors in the Old World, and have given gratification to many millions of their devoted subjects. Fifty years ago some moralists taught that it was wicked to laugh, but all divines of the present day have abandoned that untenable and austere position, and now almost universally agree that laughter is not only conducive to health, but very proper and to be encouraged, for, as the bard of Avon justly says: ‘With mirth and laughter let old wrinkles come.’ In fact, Mr. Beecher permits laughing in his church, holding that it is as right to laugh as to cry. It has been said that I have caused more people to laugh than any other man on this continent. Ten years ago one of our first families in Fifth avenue were conversing regarding the duties, responsibilities, and trials of this life. Their little daughter of seven was present. The father remarked that it was a pretty hard world to live in—full of struggles, labors, toils and disappointments. The mother added that there was much poverty and suffering in the world, etc., but the little girl chirped in, ‘Well, I think it is a beautiful and pleasant world. I have my dear mamma and papa, and my good grandma there, besides I have Barnum’s Museum to go to, and surely I don’t want a happier world than this.’ My great object has been to elevate the standard of amusements, to render them instructive as well as amusing, to divest them of all vulgar and immoral tendencies, and to make all my exhibitions worthy the patronage of the best and most respectable families. Finally, my great desire has been to give my patrons ten times the worth of their money, and in this my last crowning effort to overshadow and totally eclipse all other exhibitions in the world.”
And the metropolitan press, people and patronage combined, only repeated with more emphasis, the universal testimony of the country as to the extent and merits of this great show. Want of space permits me to copy only two or three of the favorable articles which appeared from day to day during the entire exhibition in the columns of the New York press. The following is from the Baptist Union:
RARE CURIOSITIES.