Reynolds.
BEPPO.
“It was the morose forebodings that I felt grieved by,” said Robert Mayne, “the faithless despair, the manufactured misery of morbid minds. Why, what need was there to fill the children with apprehension, to chill our own hearts with fear? You yourself, madam,” he continued with a charming bow, “had need that day of all your energy of character for which I have so much respect. You would not let the weaker moods possess your heart. How I wish we might then have shown those who were fearful, these sheltering walls, these fair white rooms, this Home!”
“You might show some folk the loaves upon the table, and they’d swear they were going to starve,” said Mrs. Inchbald crisply. “The children are well housed too, for that matter; really better than before. I don’t think yellow satin and brocade suits children—white-wash and brown holland, say I. And this house is as near to white-wash as the Mother can compass. Even the drawing-room curtains, I’m told, are to have a decidedly brown-holland appearance.”
“But the children,” said Clare, “are they really in the house? O, do let me see them, will you, Ma’am?”
“It’s time I were framed, and you were in bed, my dear, so we may as well go together”; and the brisk old lady rose in her stiff muslin and walked towards the door. Clare just had sight of Robert Mayne settling himself comfortably to read in an arm-chair. Then Mrs. Inchbald led her out into the passage, and up the stairs to her own room. But one strong impression remained in Clare’s mind, that the passage seemed in some way different.
“That’s not my door,” she said, as she looked before her, “and Mother’s room is further on. I never noticed a door there before. O, Mrs. Inchbald, is it the children’s room?”
She stood in a long low apartment, the light shed from a nightlight falling softly on six beds. On each pillow lay a little head.
Clare stepped quietly beside them; how pretty they looked in their sleep, Collina and Beppo and Leslie, Dolorès and Fieldmouse and Rob.