[MY MOCKING-BIRD.]
IF you are an artist, and want to color this little fellow, be sure you use no yellows or glowing reds about him. His back must be made a sort of ashy brown, and his wings and tail nearly black, and his legs and bill quite black. A bit of white, as you see, may be put on his breast, but even this must not be too white; it ought to have a brownish tinge. There is really not a bit of brightness for trimming; no yellow at the tips of his wings, no ruffle of red about his throat. He isn't pretty, and I may as well own it at once. The lovely goldfinch in the cage opposite him, with her brilliant yellow wings that contrast so beautifully with the green vines among which she loves to hop, is often tossing her head at him in a saucy way, as though she knew she was a beauty; and I'm sure she does, for the first place she visits when I let her out of her cage, is the looking-glass.
Ah, but let me be just to my poor little goldfinch, if she is a trifle vain. There was a time that she really did not know it was her own pretty self she saw in the glass, and she actually took a seed with her, and offered it to the bird in the glass.
MY MOCKING-BIRD.
But you should see her when Mornie—that's the homely bird's name—makes up his mind to sing. She retires to the most distant corner of her cage, curls herself up in a still little heap, puts her head on one side, and listens without the flutter of a feather. Either I imagine it or there really does come a sad look in her eyes, as though she thought she would give all the yellow in her lovely tail if she could sing like that.
Oh, how he sings! Sometimes like a canary, sometimes like a wood-robin in a spring morning, sometimes like the true mate of the pretty little goldfinch herself. In fact, like any bird that he has ever heard; springing the notes from one style of music to another much more quickly than a young Miss at the piano can change her music, and begin again.
A mischievous bird is this Mornie of mine. In addition to his musical powers, he can cackle exactly like a hen; and when Mollie, my little errand girl, first came to live with me, Mornie kept her half the time running to see which hen had laid an egg, so sure was she that she would find a fresh one.
Then, no sooner does Tom go to sawing wood in the back-yard, than Mornie begins her "Screak! Screak! Screak!" so exactly like the sound which the saw makes, that you would be almost certain to think Tom had moved his work to the side piazza where Mornie hangs. Very often he wakens in the middle of the night and gives us a song. But there is this queer thing about him then. All his fun seems to be gone. Whether he is lonely and homesick or not, I do not know, but the plaintive little note that belongs to him is all he sings in the night.
That is not the time, he thinks, for mocking anybody.