I should like to describe that evening; but it is really worse to describe than the boys. It was designed to be one of those most difficult evenings, where every act and almost every word has been previously arranged, but arranged in such a manner as to appear like an impromptu effort, the result of merely the happenings of the hour.

For instance, Mrs. Roberts aimed at nothing less formidable than the teaching of these boys to read and write; and know as well as ever I know it, that to frankly own that she was ready and willing to give her time and patience in so teaching them would be to outwit herself. They did not belong to the class who can be beguiled into evening schools. There are such; Mark Calkins would have seized such an opportunity and rejoiced over it, but these were lower in the scale; they did not realize their need, and they had what they in ignorance called “independence”; they were not to be “trapped” by evening schools. Therefore it required diplomacy; and no people can be more diplomatic, on occasion, than certain most innocent-looking little women. Mrs. Roberts had studied her way step by step.

Therefore it was, that by the most natural passage possible, she led the way to a discussion of different styles of writing, bringing forth to aid her a certain old autograph album which had been to many places of note, among others Chautauqua, and had the names of distinguished persons, as well as of many who were not distinguished, except for Christian endurance in consenting to write in an autograph album. Good writers were talked about and selected, and poor writers were talked about, and it was said by some one, accidentally of course, that a good hand was really an accomplishment.

“It is more than that!” declared Mr. Roberts. “A man's business life often turns on it. I have myself had to turn away from several otherwise suitable helpers in our business because they really could not write a good, clear hand, that could be read without studying.”

“Are you a good writer, Miss Gracie?”

This remark, coming suddenly to Gracie from her host, almost embarrassed her, for you are not to suppose that the very words by which these themes should be introduced had been planned, and it had not occurred to Gracie that so personal a question might be asked her. But she rallied quickly.

“No, sir; I am sorry to say that I am not. I write what papa calls a mincing hand; all jumbled up together, you know, or running into each other, the letters are, and so difficult to read that papa said when I came away he hoped I would call on his friend, Dr. Stuart, every day, and write a letter on his type-writer.”

“What is that?” interrupted Nimble Dick, his face curious.

“What? A type-writer? Oh, it is a strange little machine used instead of the pen—at least, a very few people use it. It is quite new, I think, and must be very curious. I never saw one, but the writing looks just like print. Dr. Stuart, a pastor in the city, is my papa's friend, and writes to him on his, and papa reads the letter with great satisfaction, saying to me, 'There, daughter, that is something like! People who cannot write well enough for others to read should print.'”

“They are not so very uncommon, Miss Dennis,” explained Dr. Everett, who saw the eagerness on Nimble Dick's face. “It is a comparatively new invention, but is being caught up very promptly. I think nearly all the leading lawyers use them, and those who do not own them are getting their copying done at the rooms. They are very ingenious little instruments.”