Still the fun went on. Just a few bold, rapid strokes, and some caricature breathed before them, so real that the character was guessed before the explanation was given, and the ground rang with continued and overpowering roars of laughter.
Into the midst of this entertainment came Dr. Vincent, his face aglow with the exertion of hearty laughter, every feature of it expressive of his hearty appreciation of this hour of recreation and yet every feature alive and alert with a higher and more enduring feeling.
"Frank," he said, laying a friendly hand on the artist's arm, "our time is almost up. Give us the symbol of the teacher's work."
There was an instant of rapid motion, a few skillful lines, and it needed no word of explanation to recognize the great family Bible. "Now the symbol of the teacher's hope," and on one page of the open Bible there flashed an anchor.
"Now the symbol of his reward," and lo, there rose up before them the solid wall, built brick by brick. Dr. Vincent's voice was almost husky with feeling, so suddenly had the play of his emotions changed, as he said: "Now we want the foundation."
How did Frank Beard do it with a dull colored crayon and a half-dozen movements of his skillful arm? How can I tell, except that God has given to the arm wondrous skill; but there appeared before that astonished multitude a foundation as of granite, and there rose from it, as if suddenly hewed out before them, a clean-cut solid shaft of gray, imperishable granite. One more dash of the wondrous crayon and the shaft was done—a solid cross!
Prof. Sherwin was sitting, for want of a better position, on the floor of the stand. It was the only available space. He had been looking and enjoying as only men like Prof. Sherwin can; and now, as he watched the outgrowth of this wonderful cross, as the last stroke was given that made it complete, and a sound like a subdued shout of joy and triumph murmured through the crowd, moved as by a sudden mighty impulse that he could not control, his splendid voice burst forth in the glorious words:
"Rock of Ages, cleft for me,
Let me hide myself in Thee."
And that great multitude took it up and rolled the tribute of praise down those resounding aisles until people bowed themselves, and some of them wept softly in the very excess of their joy and thanksgiving. It was all so sudden, so unexpected; yet it was so surely the key-note to the Chautauqua heart, and fitted in so aptly with their professions and intentions. They could play for a few minutes—none could do it with better hearts or more utter enjoyment than these same splendid leaders—but how surely their hearts turned back to the main thought, the main work, the main hope, in life and in death.
As for Eurie, she will not be likely to forget that sermon. It almost overpowered her. There came over her such a sudden and eager longing to understand the depths from whence such feeling sprung, to rest her feet on the same foundation, that for the moment her heart gave a great bound and said: "It is worth all the self-denial and all the change of life and plans which it would involve. I almost think I want that rather than anything else." That miserable "almost!" I wonder how many souls it has shipwrecked? The old story. If Eurie had been familiar with her Bible it would surely have reminded her of the foolish listener who said, while he trembled under the truth, "Almost thou persuadest me to be a Christian."