CHAPTER I LOVE IN PLANTS AND ANIMALS

Arcadians, metaphysicians, and all adorers of the past are cursing every day and every hour the modern mania of comparing human things to living beings and call for anathemas against this absurd and sacrilegious profanation of the man-God. Comparative anatomy, physiology and psychology are for these gentlemen nothing but different forms of a strange aberration of the human mind; something capricious and morbid which, by the continual comparison of man and beast, brutalizes us, prostitutes us, and sends us back with a new insanity to the bestial Olympus of men with animal members and of human grafts set on the flesh of the son of God. According to those most exalted and supercilious gentlemen, these are psychic maladies not to be discussed, but cured by contempt and ridicule; they are the hysterics of thought, which disappear with the generation that has seen them rise from the corrupt entrails of the human family. But man does not lower himself by comparing himself with beings that are the matrix from which he came; he does not degrade himself by scenting the earth from which you, also you, O super-gentlemen, say we have been moulded and which is ever the frame supporting us.

The true metaphysics, if this word has still any meaning, was created by modern science, which, by the boldest comparisons of the simplest things with the most complex, of the smallest with the greatest, extracts the subtile from the subtile, and under the motley appearance of the form reveals the only law that governs them. We are going to seek in the limbus of living beings the crepuscules of the highest human things. Bowing our head modestly before the simplicity of laws which govern and control such a wealth of forms, let us return to the reality of things, feeling neither dejected nor ashamed of ourselves, but satisfied with having known how to read the notes of harmony written in the world of dwarfs and giants. Our pride will find sufficient satisfaction, after so many comparisons, in realizing that we are first among all living beings.

No spectacle of nature is more splendid, more admirable than that of the loves of plants and of animals. Nature could not write more fascinating music with a less number of notes, and no other phenomenon of life can resemble that of generation in profusion of forms, lavishness of artifices, inexhaustible conception of mechanisms. One would say that where the reproductive gemmulæ are attracted, where life reconcentrates its best part to renovate itself with a new impetus, there new and strange energies are developed, and the forces of nature appear with the most gigantic pomp, the most gorgeous luxury. In every other function, Nature, like an economical housewife, seeks the useful and often is satisfied with the necessary; she simplifies the mechanisms, removes the attritions and through the simplest ways attains her aim. But she is not content with the good and the true for generation, and, surrounding the nest of love with a large profusion of esthetic elements, she exhausts every resource to prepare a feast for the life which renews itself. It is around the flower that, nearly always, the most exquisite beauty of form, the most inebriating seductions of perfume, the most varied tints of the painter's palette are interwoven. How many treasures of esthetic force in a lily and in a rose! And all that luxury to do honor to the love of a day, the love of an hour; and all the splendor of a nuptial robe, a thousand times more beautiful than human industry could produce, to screen the virginal kiss of an anther and a pistil!

And jumping from the lily and the rose to the summits of the animal world, how many splendors of fancy, how many flashes of passion, what an interlacement of elements, to make a garland for the kiss of a man and a woman. Run, fly, on a spring day, among the blossoming beds of a garden, among the thousand amorous corollas of the flowers; shake the severe boughs of the cypress and of the pine; plunge your feet into the soft, wet carpet of vallisnerias; let your eyes penetrate into the humid recesses of the barks and the mossy labyrinths of the granite; and everywhere a warm circumfusion of pollen, spores and antheridia will tell your flaming heart that in the world of plants, among the perfumes of the corollas and the emeralds of the seaweeds, love exists in a thousand ways, and the atmosphere is all pervaded with the warm, inebriating sparks which, on the wings of the winds and of the insects and in the rays of the sun, diffuse everywhere an amorous, voluptuous wave.

The love of flowers is mute in the soft perfume of their corollas, but in many of them silence does not prevent tender blandishments and fervent embraces; many plants, always immovable, have convulsions in their flowers; always cold, they flame up in the calyx of their loves. Often they love only once a year; but what a profusion of embraces, what a fecundity of pollen and seed! Shake with your hand a single branch of the juniper or of the blossoming pine, and you will immediately see the air darken with a cloud of fruitful dust; entire forests love at one time, and for miles and miles they fill the air with voluptuous murmurs; more than once do the winds carry clouds of pollen, and the wanton rain washes and purifies the atmosphere, and tinges itself all with the amorous dust.

And without jealousy or rancors, in the shade of the blossoming pines, and among the stamens of the enamored flowers, in every clod of grass, in every cavern of mountain, in every fissure of rock, in every bed of seaweeds, in the deep waves of the ocean, and in the drops of water oozing from the glaciers, in the somberest darkness of mines and in the infinite sky, the animals interweave their loves; so that in every part of the globe, and in every hour of the day and of the night, every ray of the sun warms and contemplates millions of embraces, while every ray of the moon guides the nocturnal lovers to a thousand more intimate blandishments. If it is true that a leaf falls from the tree of life every second and dies, then at every moment a new gemma is born, and for every gemma how many embraces, for every new-born how many loves! The flowers planted in the ground of a cemetery appeal to me as the noblest form of the cult of the dead; for, if our planet is a vast cemetery, where every atom of time buries an atom that was living once, this earth is all a nest of love, in which every zephyr carries to our ear a sigh of voluptuousness, and the harmony of the ether, a dream of the ancient poets, is nothing, perhaps, but the sum of all the kisses exchanged among the living creatures.

If the anatomist and the physiologist discover in the study of generation in the various animals some precious materials to mark the highest laws of the morphology of the living beings, the psychologist finds in the loves of brutes sketched nearly all the elements that man has gathered under his robust wings. No function is more adapted than love to contemplate the unique type and the infinite legion of its forms, to admire a unique conception developed in a thousand different tongues.