During my earlier years in America I had combed the coast of California in quest of a small site for a seaside ashram; whenever I had found a suitable location, some obstacle had invariably arisen to thwart me. Gazing now over the broad acres of Encinitas, [48-1] humbly I saw the effortless fulfillment of Sri Yukteswar’s long-ago prophecy: “a hermitage by the ocean.”
A few months later, Easter of 1937, I conducted on the smooth lawns at Encinitas the first of many Sunrise Services. Like the magi of old, several hundred students gazed in devotional awe at the daily miracle, the early solar fire rite in the eastern sky. To the west lay the inexhaustible Pacific, booming its solemn praise; in the distance, a tiny white sailing boat, and the lonely flight of a seagull. “Christ, thou art risen!” Not alone with the vernal sun, but in the eternal dawn of Spirit!
Many happy months sped by; in the peace of perfect beauty I was able to complete at the hermitage a long-projected work, Cosmic Chants. I set to English words and Western musical notation about forty songs, some original, others my adaptations of ancient melodies. Included were the Shankara chant, “No Birth, No Death”; two favorites of Sri Yukteswar’s: “Wake, Yet Wake, O my Saint!” and “Desire, my Great Enemy”; the hoary Sanskrit “Hymn to Brahma”; old Bengali songs, “What Lightning Flash!” and “They Have Heard Thy Name”; Tagore’s “Who is in my Temple?”; and a number of my compositions: “I Will be Thine Always,” “In the Land Beyond my Dreams,” “Come Out of the Silent Sky,” “Listen to my Soul Call,” “In the Temple of Silence,” and “Thou Art my Life.”
For a preface to the songbook I recounted my first outstanding experience with the receptivity of Westerners to the quaintly devotional airs of the East. The occasion had been a public lecture; the time, April 18, 1926; the place, Carnegie Hall in New York.
“Mr. Hunsicker,” I had confided to an American student, “I am planning to ask the audience to sing an ancient Hindu chant, ‘O God Beautiful!’”
“Sir,” Mr. Hunsicker had protested, “these Oriental songs are alien to American understanding. What a shame if the lecture were to be marred by a commentary of overripe tomatoes!”
I had laughingly disagreed. “Music is a universal language. Americans will not fail to feel the soul-aspiration in this lofty chant.” [48-2]
During the lecture Mr. Hunsicker had sat behind me on the platform, probably fearing for my safety. His doubts were groundless; not only had there been an absence of unwelcome vegetables, but for one hour and twenty-five minutes the strains of “O God Beautiful!” had sounded uninterruptedly from three thousand throats. Blase’ no longer, dear New Yorkers; your hearts had soared out in a simple paean of rejoicing! Divine healings had taken place that evening among the devotees chanting with love the Lord’s blessed name.
The secluded life of a literary minstrel was not my role for long. Soon I was dividing every fortnight between Los Angeles and Encinitas. Sunday services, classes, lectures before clubs and colleges, interviews with students, ceaseless streams of correspondence, articles for East-West, direction of activities in India and numerous small centers in American cities. Much time was given, also, to the arrangement of Kriya and other Self-Realization Fellowship teachings into a series of studies for the distant yoga seekers whose zeal recognized no limitation of space.
Joyous dedication of a Self-Realization Church of All Religions took place in 1938 at Washington, D.C. Set amidst landscaped grounds, the stately church stands in a section of the city aptly called “Friendship Heights.” The Washington leader is Swami Premananda, educated at the Ranchi school and Calcutta University. I had summoned him in 1928 to assume leadership of the Washington Self-Realization Fellowship center.