Outwitting the Hun: My Escape from a German Prison Camp

by Pat O'Brien

That settled all my hankerings for moving pictures that night. "Where you came from, my friend," I figured, "there must be more like you! I guess it is a good night for walking."

The next day, however, in recalling the incident of the evening before, it seemed to me that I had been rather foolish. What I needed more than anything at that time was confidence. Before I could get to the frontier I would have to confront German soldiers many times, because there were more of them between this city and Holland than in any section of the country through which I had so far traveled. Safety in these contingencies would depend largely upon the calmness I displayed. It wouldn't do to get all excited at the mere sight of a spiked helmet. The Belgians, I had noticed, while careful to obey the orders of the Huns, showed no particular fear of them, and it seemed to me the sooner I cultivated the same feeling of indifference the better I would be able to carry off the part I was playing.

For this reason, I made up my mind then and there that, officers or no officers, I would go to that show that night and sit it through, no matter what happened. While people may think that I had decided unwisely because of the unnecessary risk involved in the adventure, it occurred to me that perhaps, after all, that theater was about one of the safest places I could attend, because that was about the last place Germans would expect to find a fugitive English officer in, even if they were searching for one.

As soon as evening came, therefore, I decided to go to the theater. I fixed myself up as well as possible. I had on a fairly decent pair of trousers which Huyliger had given me and I used a clean handkerchief as a collar.

With my hair brushed up and my beard trimmed as neatly as possible with a pair of rusty scissors which I had found in the house, while my appearance was not exactly that of a Beau Brummel, I don't think I looked much worse than the average Belgian. In these days, the average Belgian is very poorly dressed at best.

I can't say I had no misgivings as I made my way to the theater; certainly I was going there more for discipline than pleasure, but I had made up my mind and I was going to see it through.

The entrance to the theater or beer-garden—for it was as much one as the other—was on the side of the building, and was reached by way of an alley which ran along the side. Near the door was a ticket-seller's booth, but as this was one of the free nights there was no one in the booth.

I marched slowly down the alley, imitating as best I could the indifferent gait of the Belgians, and when I entered the theater I endeavored to act as though I had been there many times before. A hasty survey of the layout of the place was sufficient to enable me to select my seat. It was early and there were not more than half a dozen people in the place at that time, so that I had my choice.

There was a raised platform, perhaps two feet high, all round the walls of the place, except at the end where the stage was located. On this platform tables were arranged, and there were tables on the floor proper as well.

I decided promptly that the safest place for me was as far back as possible where I would not be in the line of vision of others in back of me. Accordingly, I slouched over to a table on the platform directly opposite the stage and I took the seat against the wall. The whole place was now in front of me. I could see everything that was going on and every one who came in, but no one, except those who sat at my own table, would notice me unless they deliberately turned around to look.