"Quite sure. By the way, what is the Kampaner Thal?"
He looked squarely at me.
"'Pon my word, Father Dan, I confess I sometimes think you are rather fond of a joke."
"Come along, never mind," I replied. "After air and water, the power of a pleasant and kind word is the best and cheapest thing God gives us, His children."
CHAPTER XVI
VIOLENT CONTRASTS
Christmas Day was a day of undiluted triumph for Father Letheby. There were great surprises in store for me. That is one of my curate's few faults—is it a fault?—that he is inclined to be dramatic. As he says, he hates to speak of a thing until it is beyond the reach of failure. Of all criticisms, the one he most dreads is, "I told you so." And so, on this Christmas morning, I had a series of mild, pleasant shocks, that made the bright, crisp, frosty, sunny morning all the more pleasant. It was a slight, because expected, surprise to see Captain Campion at the altar rails. He appeared at eight o'clock Mass. Thanks be to God! I manage still to use the sublime privilege given by the Church that morning, of being allowed to celebrate three times. I have not omitted it for fifty years. When I shall fail to say my three Christmas Masses, then you may take up your Exequiæ, and practise the Requiem æternam for poor Daddy Dan.
Well, I had said the first two Masses, commencing at seven o'clock. It is a curious experience, that of seven o'clock Mass on Christmas morning. The groping through the dark, with just the faintest aurora on the horizon, the smell of the frost in the air, the crunching of icicles under one's feet, the shadowy figures, making their way with some difficulty to the church, the salutations of the people: "Is that you, Mick?" "'Tis, Mrs. Grady; a happy Christmas to you, ma'am." "The same to you, Mick, and manny of them." "Good morning, Mrs. Mulcahy; 't is a fine Christmas morning, glory be to God." "'T is indeed, ma'am, glory be to His Holy Name." "Hurry up, Bess, you'll never catch the priest at the altar." "Yerra, sure, haven't we three Masses to-day." The more polite people said: "The compliments of the saison to you, ma'am." "The same to you, sir; may we be all alive and happy this time twelvemonth."
Well, just as I commenced the hymn of the angels at my first Mass, there was a crash of music and singing from the gallery over the door, that made my old heart leap with joy and pride. I never expected it; and the soft tones of the harmonium, and the blending of the children's voices, floating out there in the dark of the little chapel, made tears of delight stream down the wrinkles of my cheeks. And what was the Gloria, do you think? From Mozart's "Twelfth Mass," if you please. Nothing else would do. The pride of Kilronan is gone so high since that famous concert, that I am almost sure they would challenge the seraphim to a fair contest, that is, if the latter would put aside their golden viols and sambucæ, and compete only with their voices against the "new choir of Kilronan." I violated egregiously one strict rubric at the Dominus vobiscum. I raised my eyes and took a good long look at choir and people. I couldn't help it. If Martinucci and Baruffaldi, Gavantus and Merati, Gardellini and Bauldry, and the whole Congregation of Sacred Rites were there in the front bench, I couldn't help myself. I kept my hands open for at least a quarter of a minute, whilst I surveyed my little congregation. It was a pathetic sight. The lights from the altar shone on the faces of Captain Campion and Bittra, and one or two of the better-class parishioners on the front bench; but all behind were buried in a deep well of darkness. I could barely distinguish the pale faces of the confused mass that stretched in the deep gloom towards the door; but overhead, about a dozen dark figures were outlined against the light of the two wax candles on the harmonium, over which, on this eventful morning, Father Letheby presided. And this was the object of the concert at last. I should have known that there was some supernatural object behind it. This young man does not care much to develop or elicit the dormant energies of the people, unless he can turn therewith the mills of God. But what trouble it must have given him! How many a cold night did he leave his room, and there, on that gallery, contend with the rough and irregular voices, until he brought them into that stream of perfect unison. I can imagine what patience he exercised, what subtle flatteries he administered, what gentle sarcasm he applied, before he succeeded in modulating the hoarse thunders of Dave Olden's voice, that rose like a fog-horn over the winds and waves whenever he ventured upon the high seas; and how he cut off remorselessly the grace-notes of Abby Lyden, who has begun to think herself an Albani; and how he overcame the shyness of the fisher lads, and brought clear to the front the sweet tenors of the schoolboys, on whom, he said, all his hopes depended. And how his own rich baritone ascended strongly and softly over all, blending into perfect harmony all discordance, and gently smothering the vagrant and rebellious tones that would sometimes break ambitiously through discipline, and try to assert their own individuality. He sang an Offertory solo, accompanying himself on the harmonium. Who will say it was not sweet? Who will say it was not appropriate?