"Ah! there you've struck it," he broke in. "If I could only write, I should always have an incentive, and a strong incentive for reading and studying what I read."
"And why don't you write?" I repeated. "Paper is cheap; pens and ink don't cost much—"
"Write for what, and for whom?" he cried.
"Write for the magazines," I said. "Write brisk, crisp, lively articles for our reviews and periodicals; get paid for them; and then the ineffable pleasure of seeing your own work in print!"
"And what if they were rejected contumeliously?"
"Impossible," I replied; "there is room and to spare for good writers. Why, we are always crying out about the barrenness of our literature!"
He had gone over to a portfolio, and had taken out a few rolls of manuscript, to each of which a letter was tagged. He handed them to me without a word. It needed only a glance to see that if the editors had used up all the polite words of the language, nevertheless, "Rejected!" was written in capital letters on every page. I knew well what it meant to a proud, sensitive spirit; and although it was only the usual probation for literary novices, it might have a different effect from successful training in the case of a thoughtful if irritable mind. I pretended to read carefully the two essays, the three short stories, and the half-dozen poems that had come back to the author's hands without proofs, whilst I was rapidly turning over in my mind what I should say or do; for the recollection of my own experience at his age led me to believe that this was a critical moment for him. Happy the stupid souls that can gaze, without the constant fretting of thought, into the fire for hours together! Happy we, who, going down the decline of life, have the brake put on by a merciful Providence, and the wheels move slowly, and day blends with night, and night dawns to day, almost imperceptibly! But thrice unhappy they in whose souls the mills of thought whirl round and round without ceasing the wheelstones that grind together, if the grist is not between! How often to dreaming poet and idealist has the eternal fretting of the wheels become intolerable, and then—
"I shouldn't mind," he interjected on my reverie, "but these papers issue such lamentable stuff! Such vapid essays, such aimless stories, such bread-and-butter school-girl poetry,—'sing' and 'spring,' 'bird' and 'heard,'—not an elevating idea or thought through the whole thing from beginning to end; and then look at these: 'We consider your story too long;' 'We regret that the style of your article is unsuited to our pages;' 'We see some promise in your poem, but it is not quite up to the level of our requirements;' 'Try blank verse.... We shall be glad to hear from you again.' Did you ever hear such mockery, and these very men printing such intolerable rubbish!"
Of course, he never thought of the poor editor, leaning over his chair in a brown study, biting the pen-handle, and wondering how he can please "A Constant Subscriber," who objects to the rather light nature of the articles he is now giving to the public; or, "Sacerdos," who does not like poetry; or, "Senex," who asks sarcastically: Is he putting himself in rivalry with the "Edinburgh" or "Quarterly," or who the mischief cares one brass pin about "Aristotle's Constitution of Athens;" and wouldn't he give them something light and agreeable to help to digest their dinners? Oh no! he only thought then and there that there should be an auto da fe,—a summary crematory process of all the editors under the sun.
"Look here, young man," said I, at last, "there is only one thing for you to do. You must write a book."