"What kind of poetry does His Holiness write?"
"Why, the most beautiful Latin elegiacs and hexameters."
"I thought so," I said triumphantly. "I knew that the Holy Father would write nothing but in the style of the divine Mantuan. If you do anything that way, my boy, I'll forgive you. Keep to your classics, keep to your classics, and you're all right."
It was delightful to find us, the last remnant of the great generation of the classical priests of Ireland, backed up by the first authority in the world.
It was twilight when I left, and I made my usual detour around our hamlet. Outside the village and just beyond the school-house, in a little cottage whose diamond windows are almost hidden under green creepers, lived Alice Moylan, the head monitress in our little school. I rather liked Alice, for when she was a little child of seven years, she gave me an idea of something for which I had been long seeking. It was a few years back, when I had not laid up my pen finally, but still retained the belief, with a certain author, that "there is no greater mental excitement, and scarcely a sweeter one, than when a young man strides up and down his room, and boldly resolves to take a quire of writing paper and turn it into a manuscript." And in these latter days of life I still sought for a vision of our Lady, which I could keep before my imagination when writing certain things in her honor. Now (perhaps I have already said it), I had a peculiar devotion to the Child-Virgin of the Temple and of the House of Nazareth, where in the noontide the Archangel entered and spoke his solemn words. And I never said the Magnificat but on my knees and with a full heart, as I thought on the Child-Prophetess of Hebron and the wondering aged saints. But I sought her face everywhere in vain—in pictures, in the faces of my little children; but not one came up to my ideal of what the little maiden of the Temple and Nazareth was like. At last, one day, little Alice came, and in her sweet oval face, and calm, entreating eyes and raven hair, subdued beneath such a dainty frilled headdress, I saw our Blessed Lady and wondered and was glad. And in those days of her simple childhood, before the awful dawn of self-consciousness, I used dream and dream, and put into form my dreams; and the face that haunted all my sacred and poetic conceptions of our dear Queen was the face of little Alice. But the child grew, and waxed in strength, but waned in beauty,—at least the beauty I regarded when the white soul looked out of the beautiful childish face. But Alice grew to be the village beauty, and she knew it. Every one told her of it; but her chief admirer was the little milliner, who lived down near the post-office, and whose simple life was a mixture of very plain, prosaic poverty, and very high and lofty romance. From this Miss Levis, who was a confirmed novel-reader, Alice learned that "she had the face and form of an angel"; that "her eyes had a velvety softness that drew you like an enchanted lake"; that these same eyes were "starry in their lustrous beauty"; that she had "the complexion of a creole, or rather the healthy pallor of the high-born aristocracy of England"; that "her figure was willowy and swayed like a reed in the wind"; and all the other curious jargon of the novelette—the deadly enemy of simplicity and innocence. Then Alice grew proud and vain, and her vanity culminated on the night of our concert in November, when she drew up for the first time her luxuriant black hair and tied it in a knot and bound it in a fillet, which was said to be the mode à la Grecque. But she was a very pure, innocent girl withal, and exceedingly clever in her work at school.
I had missed her recently, but had been occupied with other thoughts until the time came for the quarterly salaries of the teachers; and I noticed in the returns from the principal teacher that Alice had been absent the greater part of the time. This evening, after leaving Father Letheby, I determined to call, unprepared to witness the little tragedy that was before me—one of those little side-scenes in the great drama of existence, which God turns suddenly to the front lest we should ever mistake the fact that our little world is a stage, and that we have all the denizens of the veiled eternities for our audience. Mrs. Moylan was one of those beautiful Irish mothers, who, having passed through the stress and storm of life, was moving calmly into the great sea of Death and Eternity. She had one of those Irish faces that were so typical of our race some years ago, and the intense resignation and patience of which rivalled the sweet innocence of our little Irish children for the admiration of such a keen and sympathetic observer as Dr. Newman. There were a few wrinkles in the pallid cheeks, and one or two lines across the white forehead, crowned with the clean white cap which our Irish mothers wear. She looked, I thought, a little reproachfully at me as I entered, but only welcomed me with that courteous reverence which makes us priests so often humbled and ashamed. After a few words I inquired for Alice.
"My poor child hasn't been well, your reverence. We were jealous that you never asked for her."
I protested my utter ignorance of her illness, and inquired what was the ailment.
"You can see yourself, your reverence," the poor mother said, silently wiping away a tear. "But," she whispered, "don't pretend to see anything. She feels it very much."