Chesterton is very annoyed to find that to possess Norman blood is, to many people, a hall mark of aristocracy: 'This fashionable fancy misses what is best in the Normans.' What he contends, and I think rightly, is that William was a conqueror until he had conquered. Then England passed out of his hands. He had wished it to be an autocracy; instead, it developed into a monarchy—'William the Conqueror became William the Conquered.' This is a line that the ordinary historians do not appear to take, though I fancy they imply it when they say that feudalism didn't exist in the time of the Georges.

Perhaps one of the most picturesque parts of history is that time when men looked across the sea and saw in the far distance a huge cross that seemed to beckon as the voices later called to Joan of Arc. The Crusades were a time when wars were holy because they were waged for a holy thing. Six hundred years, so Chesterton tells us, had elapsed since Christianity had arisen and covered the world like a dust-storm, when there arose 'a copy and a contrary: the creed of the Moslems'; in a sense Islam was 'like a Christian heresy.' Historians, so he thinks, have not understood the Crusades. They have taken them to be aristocratic expeditions with a Cross as the prey instead of a deer, whereas really they were 'unanimous risings.' 'The Holy Land was much nearer to a plain man's house than Westminster, and immeasurably nearer than Runnymede.' But I am not sure that Chesterton has scored over the orthodox historians who made a good deal out of the fact that Crusade had a close affinity to Crux, which word meant a cross that was not necessarily bound up with Calvary.

In dealing with the Middle Ages, he propounds the proposition that the best way to understand history is to read it backwards—that is, if we are to understand the Magna Charta we must be on speaking terms with Mary. 'If we really want to know what was strongest in the twelfth century, it is no bad way to ask what remained of it in the fourteenth.' This is a very excellent method, as it demonstrates what were the historical events and what were the mere local and temporary.

Becket was one of those queer people of history who was half a priest and half a statesman, and he had to deal with a king who was half a king and half a tyrant. Every schoolboy knows about Becket, and delights to read of the wild ride to Canterbury, which began with the spilling of Becket's brains and ended with the spilling of the King's blood by his tomb.

For Chesterton, Becket 'may have been too idealistic: he wished to protect the Church as a sort of earthly paradise, of which the rules might seem to him as paternal as those of heaven, but might well seem to the king as capricious as those of Fairyland.' The tremendously suggestive thing of the whole story of Becket is that Henry II submitted to being thrashed at Becket's tomb. It was like 'Cecil Rhodes submitting to be horsewhipped by a Boer as an apology for some indefensible death incidental to the Jameson Raid.' Undoubtedly Chesterton has got at the kernel of the story that made an Archbishop a saint (a rare occurrence) and an English king a sportsman (a rarer occurrence).

But clever as Chesterton is in regard to this particular story, the ordinary schoolboy would do better to stick to the common tale of Becket that came on the hasty words spoken by a hasty king; he will better understand the significance of the whipping of the king when he can read history back to the days when kings could not only not be whipped, but could whip whom they chose, and put men's eyes out when they used them to shoot at the king's deer.

A great part of the Middle Ages is concerned with the French wars, those wars that staggered the English exchequer and made the English kings leaders of armies. The reason of these wars was, Chesterton tells us, the fact that Christianity was a very local thing. It was more—it was a national thing that was bound up with England. 'Men began to feel that foreigners did not eat or drink like Christians,' which is to say that the Englishman began his contempt for the foreigner which has resulted in nearly all our wars, and has made the Englishman abroad a supercilious creature, and has made the English schoolboy put his tongue out at the French master.

The French wars were something more than a national hatred, they were a national dislike of foreigners, a dislike that had its probable origin in the Tower of Babel. But this was not the only reason of the incessant French wars—there was a question of policy. France began to be a nation, and 'a true patriotic applause hailed the later victory of Agincourt.' France had become something more than a nation; it had become a religion, because it had as its figure a simple girl who believed in voices, and took her part in the struggles of a defeated country.

Chesterton's chapter is a fine understanding of the French wars; it is an amplification of the mere skeletons of ordinary history, and as such is very valuable.

From being a reasonable national dislike, the French wars 'gradually grew to be almost as much a scourge to England as they were to France.' 'England was despoiled by her own victories; luxury and poverty increased at the extremes of society, and the balance of the better mediævalism was lost.' It resulted in the revolt connected with Wat Tyler, a revolt that 'was not only dramatic but was domestic'; it ended in the death of Tyler and the intervention of the boy king, who, in swaying the multitude that was a dangerous mob, 'gives us a fleeting and final glimpse of the crowned sacramental man of the Middle Ages.'