The sight of the dead man and the rats had shaken me; I felt nervous and could not restrain myself from looking back over my shoulder at intervals. I had a feeling that something was following me, a Presence, vague and terrible, a spectre of the midnight and the field of death.

I am superstitious after a fashion, and I fear the solitude of the night and the silent obscurity of the darkness.

Once, at Vermelles, I passed through a deserted trench in the dusk. There the parapet and parados were fringed with graves, and decrepit dug-outs leant wearily on their props like hags on crutches. A number of the dug-outs had fallen in, probably on top of the sleeping occupants, and no one had time to dig the victims out. Such things often happen in the trenches, and in wet weather when the sodden dug-outs cave in, many men are buried alive.

The trench wound wayward as a river through the fields, its traverse steeped in shadow, its bays full of mystery. As I walked through the maze my mind was full of presentiments of evil. I was full of expectation, everything seemed to be leading up to happenings weird and uncanny, things which would not be of this world. The trench was peopled with spectres; soldiers, fully armed, stood on the fire-steps, their faces towards the enemy. I could see them as I entered a bay, but on coming closer the phantoms died away. The boys in khaki were tilted sandbags heaped on the banquette, the bayonets splinters of wood sharply defined against the sky. As if to heighten the illusion, torn ground-sheets, hanging from the parados, made sounds like travelling shells, as the breezes caught them and brushed them against the wall.

I went into a bay to see something dark grey and shapeless bulked in a heap on the fire-step. Another heap of sandbags I thought. But no! In the darkness of the weird locality realities were exaggerated and the heap which I thought was a large one was in reality very small; a mere soldier, dead in the trench, looked enormous in my eyes. The man's bayonet was pressed between his elbow and side, his head bending forward almost touched the knees, and both the man's hands were clasped across it as if for protection. A splinter of shell which he stooped to avoid must have caught him. He now was the sole occupant of the deserted trench, this poor, frozen effigy of fear. The trench was a grave unfilled.... I scrambled over the top and took my way across the open towards my company.

Once, at midnight, I came through the deserted village of Bully-Grenay, where every house was built exactly like its neighbour. War has played havoc with the pattern, however, most of the houses are shell-stricken, and some are levelled to the ground. The church stands on a little knoll near the coal-mine, and a shell has dug a big hole in the floor of the aisle. A statue of the Blessed Virgin sticks head downwards in the hole; how it got into this ludicrous position is a mystery.

The Germans were shelling the village as I came through. Shrapnel swept the streets and high explosives played havoc with the mine; I had no love for a place in such a plight. In front of me a limber was smashed to pieces, the driver was dead, the offside wheeler dead, the nearside wheeler dying and kicking its mate in the belly with vicious hooves. On either side of me were deserted houses with the doors open and shadows brooding in the interior. The cellars would afford secure shelter until the row was over, but I feared the darkness and the gloom more than I feared the shells in the open street. When the splinters swept perilously near to my head I made instinctively for an open door, but the shadows seemed to thrust me back with a powerful hand. To save my life I would not go into a house and seek refuge in the cellars.

I fear the solitude of the night, but I can never ascertain what it is I fear in it. I am not particularly interested in the supernatural, and spiritualism and table-rapping is not at all to my taste. In a crowded room a spirit in my way of thinking loses its dignity and power to impress, and at times I am compelled to laugh at those who believe in manifestations of disembodied spirits.

Once, at Givenchy, a soldier in all seriousness spoke of a strange sight which he had seen. Givenchy Church has only one wall standing, and a large black crucifix with its nailed Christ is fixed to this wall. From the trenches on a moonlight night it is possible to see the symbol of sorrow with its white figure which seems to keep eternal watch over the line of battle. The soldier of whom I speak was on guard; the night was very clear, and the enemy were shelling Givenchy Church. A splinter of shell knocked part of the arm of the cross away. The soldier on watch vowed that he saw a luminous halo settle round the figure on the Cross. It detached itself from its nails, came down to the ground, and put the fallen wood back to its place. Then the Crucified resumed His exposed position again on the Cross. It was natural that the listeners should say that the sentry was drunk.

It is strange how the altar of Givenchy Church and its symbol of Supreme Agony has escaped destruction. Many crosses in wayside shrines have been untouched though the locality in which they stand is swept with eternal artillery fire.