Dennison turned over the driving controls to PM and PM smirked his pleasure like a kid: he settled into the driving seat, checked the controls, thinking fast, confident. Landel gave him a wigwag. Then 248 hunched forward, the tracks working evenly; the motor revved smoothly.
Dennison punched PM, and they swung left.
A latch of his mind was fastened to the periscope.
Starboard sank into a pothole; they floundered through other potholes, now following the side of a small river, other tanks in front. Smoke gnarled the sky. They were in a section of Morb, streets, houses. Port side a shell exploded. Something clanged against 248, clanged like a bell. The bus rocked, and Dennison stared anxiously at PM. PM grunted.
The tanks moved through smoke walls down a street: as if propelled through a tube, through a tunnel, Nazis rushed toward 248. They bunched. They fell. Some retreated down a cul-de-sac. Scrambling across barbed wire and fencing, PM followed.
Realizing that the men were trapped, Dennison fired slowly: he tried to account for each man, firing PM's gun: he shouted and fired, shouted and fired: this was the same, knocking out wooden ducks at the fair.
Three down, four to go.
So, the tank was an improvement on the Trojan horse!
Smoke closed in.
Frames flitted by, image after image, scenes without continuity, a sciamachy of trees, people, Greeks, Russians, a cloud, a room, Jeannette, children's face, a cactus in a steamy conservatory, a swan, a wounded boy. On the walls of a latrine he read: THE LAST SEVEN WORDS.