“Högni did what is unusual in such personal peril, interceded for the thrall’s life, saying he did not want to hear his screaming, and that he preferred to be the sufferer himself; the thrall was glad to get his life. Högni and Gunnar were both put in fetters. Atli bade Gunnar tell where the gold was, if he wished to live. He answered: ‘I will sooner see the bloody heart of my brother Högni.’ They seized the thrall a second time, and cut his heart out, and showed it to King Gunnar. He said: ‘Here you may see the heart of Hjalli the coward, and it is unlike the heart of Högni the brave, for now it trembles much, but it trembled twice as much when it lay in his breast.’ They went to Högni, urged by King Atli, and cut out his heart, but such was his strength of mind that he smiled while he suffered this torture, and everybody wondered at his firmness; and the deed is ever since held in remembrance. They showed to Gunnar the heart of Högni the brave, who said: ‘It is unlike the heart of Hjalli, for now it quivers little, but less while it was in his breast; thou wilt lose thy life, Atli, as we do now. I alone know where the gold is, for Högni cannot tell thee now. I was sometimes going to tell it while both of us lived, but now I am left to myself; the Rhine shall keep the gold, rather than the Hunar wear it on their arms. King Atli told them to take away the prisoner, and it was done. Gudrun with some men went to Atli, and said: ‘Mayest thou fare as ill as thou didst keep thy word to me.’
Fig. 1091.—Carved doorway, Sauland’s Church, Thelemarken. Height, 13 feet; width, 7¾ feet; height of door, 7½ feet; width of door, 2⅓ feet.
“King Gunnar was put into a pit in which were many snakes, and his hands were tied firmly. Gudrun sent him a harp; he showed his art, and played on it with great skill, striking the strings with his toes. He played so well and wonderfully that few thought they had heard the harp played so well with hands, and he continued this idrott until all the snakes fell asleep except a large hideous viper, which crawled to him, and pierced into his body with its snout till it reached his heart; and there he lost his life with great prowess” (Volsunga Saga, c. 37).
The halls had two doors, one for the men, the other for women;[[189]] many of them, which were often covered with designs in ironwork and runic inscriptions, must have been extremely beautiful. Sweden is especially rich in them. The church door of Versås, represented on the next page, is undoubtedly of great antiquity, as the svastica is found upon it.
The walls of the halls were hung with tapestry, made by the wives and daughters of the family, often representing the deeds of their forefathers or those of their lord; the carvings on the walls were occasionally very fine. An idea of the vast size of these festive halls can be gleaned from the number of guests and attendants they could hold. Some walls were adorned with shields put so closely together that they overlapped each other; many were inlaid or ornamented with gold and silver, which must have added to the brilliancy of the scene.
“King Knut began his journey to Borgundarhólm (Bornholm), where Egil had made a grand feast for him; he went to this with a large hird.[[190]] There he had a hall as large as a king’s, hung all over with shields” (Flateyjarbók iii., p. 401).
“King Harald Sigurdarson came to the chief Aslák, and invited himself to his house. Aslák went to meet him, and received him very well. The king and his men were shown in to a hall and seated; it was covered with shields and most splendidly adorned in all respects”[[191]] (Flateyjarbók iii., p. 401).
Once Thorfinn (an Icelandic poet) sat on an easy chair before King Olaf. The king said to him:
“‘Make a song, Scald, about that which is drawn on the hangings.’ Thorfinn looked at them, and saw that Sigurd slaying Fafnir was embroidered on them” (Flateyjarbók iii.).