A Cruel Enigma

by Paul Bourget

[CHAPTER I]

All men accustomed to feel through their imaginations are well acquainted with that unique description of melancholy which is inflicted by too complete a likeness between a mother and her daughter, when the mother is fifty years old and the daughter twenty-five, and the one happens thus to exhibit the looked-for spectre of the old age of the other. How fruitful in bitterness for a lover is such a vision of the inevitable withering reserved for the beauty that he loves! To the eye of a disinterested observer such likenesses abound in singularly suggestive reflections. Rarely, indeed, does the analogy between the features of the two faces extend to identity, and still more rarely are the expressions completely alike. There has usually been a sort of onward march in the common temperament from one generation to the next. The predominant quality in the physiognomy has become more predominant still—a visible symbol of a development of character produced by heredity. Already too refined, the face has become still more so; sensual, it has been materialised; wilful, it has grown hard and dry.

But it is especially at the period when life has done its work, when the mother has passed her sixtieth year and the daughter her fortieth, that this gradation in likenesses becomes palpable to the student, and with it the history of the moral circumstances wherein the soul of the race of which the two beings mark two halting-places has striven. The perception of fatalities of blood is then so clear that it sometimes turns to pain. It is in such cases that the implacable, tragical action of the laws of Nature is revealed even to minds which are the most destitute of general ideas, and if this action be at all exercised against creatures who—apart even from love—are dear to us, how it hurts us to admit it!

Although a man who had started formerly as a private soldier and has been retired as General of division, who is seventy-two years old, who has a liver complaint contracted in Africa, five wounds and the experience of fifteen campaigns, is not very prone to philosophical dreamings, it was nevertheless to impressions of this kind that General Count Alexander Scilly resigned himself one evening, on leaving the drawing-room of a small house in the Rue Vaneau, where he had left his old friend Madame Castel, and this friend's daughter, Madame Liauran, alone together. Eleven had just struck from a clock of the purest style of the Empire—a gift from Napoleon I. to Madame Castel's father—which stood on the mantelpiece in this drawing-room, and, as was his custom, the General had risen at precisely the first stroke, to go to his carriage, which had been announced.

Truth to tell, the Count had the strongest reasons in the world to be dimly and profoundly disquieted. After the campaign of 1870, which had won him his last epaulets, but in which the ruin of his health had been completed, this man had found himself at Paris with no relations but distant cousins whom he did not like, having had grounds of complaint against them on the occasion of the succession to a common cousin. Had they not impugned the old lady's will, and made a charge of undue influence against—whom? Against him, Count Scilly, own son to the Leipsic hero! Feeling that desire, which distinguishes bachelors of all ages, to replace, by settled habits, the tranquility of the family that he lacked, the General had been led to create a home external to the rooms of the resting soldier.

Circumstances had thus made him the almost daily guest of the house in the Rue Vaneau, where the two ladies to whom he had long been attached resided. The eldest, Madame Marie Alice Castel, was the widow of his first protector, Captain Hubert Castel, who had been killed at his side in Algeria, when he, Scilly, was as yet only a plain sergeant. The second, Madame Marie Alice Liauran, was the widow of his dearest protégé, Captain Alfred Liauran, who had been killed in Italy.

All those who have given any study to the character of an old bachelor and old soldier—a combination of two celibacies in one—will, from the mere announcement of these facts, understand the place occupied by the mother and daughter in the General's existence. Whenever he left their house, and during the whole of the time which it took his carriage to bring him home again, his one mental occupation was to recur to all the incidents in his visit. This interval was a long one, for the General lived on the Quai d'Orléans on the ground floor of an old house which had been formally bequeathed to him by his cousin. The carriage went but slowly; it was drawn by an old army horse, very aged and very quiet, gently driven by an old orderly soldier, faithful Bertrand, who would not have whipped the animal for a cask of grape-skin brandy, his favourite drink.

The carriage itself did not run easily, low and heavy as it was—a regular dowager's chariot which the General had preserved unaltered, with the pale green leather of its lining and the dark green shade of its panels. Is there any need to add that Scilly had inherited this carriage at the same time as the house? In the ignorance of an old soldier accustomed to the roughness of a profession to which he had taken very seriously, he ingenuously considered this lumbering vehicle as the height of comfort, and seated with his hand in one of the slings, on the edge of those cushions on which his cousin used once to stretch herself voluptuously, he unceasingly saw again before him the drawing-room in the Rue Vaneau, and the two inmates of that calm retreat—oh! so calm; with its lofty closed windows, beyond which extended the princely garden reaching from the Rue Vaneau to the Rue de Babylon; yes, so calm and so well known to him, Scilly, in its slightest details!

On the walls hung three large portraits, witnessing that, since the Revolution, all the men of the family had been soldiers. There was first the grandfather, Colonel Hubert Castel, represented by the painter Gros in the dark uniform of the cuirassiers of the Empire, his head bare, his sturdy neck confined in its blue-black collar, his torso clad in its cuirass, his arms enclosed in the dark cloth of their sleeves, and his hands covered with their white rounded gauntlets. Napoleon had fallen from his throne too soon to reward, as he wished, the officer who had saved his life in the Russian campaign. Next, there was the son of this stern cavalier, a captain in the African army, painted by Delacroix in the blue tunic with its plaited folds, and the wide red trousers, tight fitting at the feet; then the portrait, painted by Flandrin, of Alfred Liauran, in the uniform of an officer of the line, such as Scilly himself had worn. On both sides were miniatures representing Colonel Castel again, but before he had attained to that rank, and also some men and women of the old régime; for Madame Castel was a Mademoiselle de Trans, of the De Transes of Provence, a very numerous and noble family belonging to the district of Aix. Colonel Castel's father, who had been merely the steward of Marie Alice's father, had saved the, in truth, somewhat inconsiderable property of the family during the storm of 1792, and when in 1829 Mademoiselle de Trans had wished to marry this wealthy man's grandson, who happened to be the son of a celebrated soldier, she had met with no opposition.

All Madame Castel's past, and that of her daughter, was, therefore, spread over the walls of this drawing-room, which was at once austere and homely, like all apartments which are much occupied, and occupied by persons who have cherished recollections. The furniture, which was composed of a curious mixture of objects of the First Empire, the Restoration, and the July Monarchy, certainly had no correspondence with the fortune of the two ladies, which had become very large owing to the modesty of their mode of life; but of this furniture there was not a single piece that did not speak of someone dear both to them and to Scilly, who from childhood had found interest in everything belonging to this family. Had not his father been made a Count on the same day that his companion-in-arms, Castel, had been made a Colonel?