A Tragic Idyl

by Paul Bourget

"You must take this opportunity which is offered to you. You will never have a better one. You must have the young man come, and speak to him yourself about the purchase he made last night. Tell him that others have seen it; show him your astonishment at his indiscretion; tell him that his assiduity has been noticed. For the sake of your welfare and your reputation command him to go away. A little firmness for a few minutes and it will all be done. He is not what you paint him, what I feel him to be, if he does not obey your request. Ah! believe me, the one way to love him is to save him from this tragedy, which is not simply a far-off possibility, but an immediate and inevitable danger."

Ely listened, but made no reply. Worn out by the terrible emotion of her confidence on the previous night, she had no strength left to resist the tender suggestions which appealed to her love itself, to struggle against her love. There is, in fact, in these complete passions an instinctive and violent desire for extreme resolutions. When these sentiments cannot find satisfaction in perfect happiness, they obtain a kind of grateful relief in their absolute frustration. Filling our soul to the exclusion of all else, they bear it incessantly to one or the other of the two poles, ecstasy and despair, without resting for a moment between them. Having come to this stage of her passion, it followed of necessity, as Louise Brion had clearly seen, that the Baroness Ely should either become the young man's mistress, or that she should put between herself and him the insurmountable barrier of a separation before the liaison—secret romance of so many women, both virtuous and otherwise. Yes! how many women have thus, in a delirium of renouncement, dug an abyss between them and a secretly idolized being, who never suspects this idolatry or this immolation. To the innocent ones, the anticipation of the remorse which would follow their fault gives the requisite energy; the others, the culpable, feel, as Madame de Carlsberg felt so strongly, the inability to efface the past, and they prefer the exalted martyrdom of sacrifice to the intolerable bitterness of a joy forever poisoned by the atrocious jealousy of that indestructible past.

Another influence aided in overcoming the young woman's spirit of revolt. Stranger as she was to all religious faith, she did not, like her pious friend, attach anything providential to this commonplace accident,—a newspaper account of a diplomatist's voyage,—but had acquired, through her very incredulity, that unconscious fatalism which is the last superstition of the sceptic. The sight of these fine printed syllables, "Olivier du Prat," a few hours after the night's conversation, had filled her with that feeling of presentiment, harder to brave than real danger for certain natures, like hers, made up of decision and action.

"You are right," she answered, in the broken accent of an irremediable renunciation, "I will see him, I will speak to him, and all will be finished forever."

It was with this resolution, made in truth with the fullest strength of her heart, that she arrived at Cannes on the afternoon of the same day, accompanied by Madame Brion, who did not wish to leave her; and, as soon as she arrived, she had, almost under the dictation of her faithful friend, written and despatched the letter which overwhelmed Hautefeuille. She truly believed herself to be sincere in her resolution to separate from him, and yet if she had been able to read to the bottom of her heart, she might have seen, from a very trifling act, how fragile this resolution was, and how much she was possessed by thoughts of love. No sooner had she written to him from whom she wished to separate forever than, at the same place, and with the same ink, she wrote two letters to two persons of her acquaintance, in whose love-affairs she was the confidante, and to some extent the accomplice,—Miss Florence Marsh and the Marquise Andryana Bonnacorsi.

She invited them to lunch with her on the morrow, thus obeying a profound instinct which impels a woman who loves and suffers to seek the company of women who are also in love, with whom she may talk of sentimental things, of the happiness which warms them, who will pity her sorrow, if she tells them of it, who will understand her and whom she will understand. Usually, as she had said the night before, the hesitation of the sentimental and timid Italian woman fatigued her, and in the passion of the American girl for the Archduke's assistant, there was an element of deliberate positivism, which jarred upon her native impulsiveness. But the young widow and the young girl were two women in love, and that sufficed, in this season of melancholy, to make it delightful, almost necessary, to see them. She little thought that this impulsive and natural invitation would provoke a violent scene with her husband, or that a conjugal conflict would arise from it, whose final episode was to have a tragic influence upon the issue of that growing passion, which her reason had sworn to renounce.

Having arrived at Cannes at three o'clock in the afternoon, she had not seen him during the rest of the day. She knew that he had been with Marcel Verdier in the laboratory, nor was she surprised to see him appear at the dinner hour, accompanied by his aide-de-camp, Comte von Laubach, the professional spy of His Highness, without a sign of interest in her health, without a question as to how she had spent the past ten days.

The Prince had been in his youth one of the bravest and most handsome of the incomparable cavaliers of his country, and the old soldier was recognizable in the figure of this scientific maniac, which had remained slender in spite of the fact that he was approaching his sixtieth year, in the tone of command which his slightest accents retained, in his martial face, scarred by a sabre at Sadowa, in his long mustache of grizzly red. But what one never forgot after seeing the singular man was his eyes—eyes of an intense blue, very bright and almost savagely restless, under the pale, reddish brows of formidable thickness. The Archduke had the eccentric habit of always wearing, even with his evening dress, heavy laced shoes, which permitted him, as soon as the dinner was over, to go out on foot, accompanied sometimes by his aide-de-camp, sometimes by Verdier, for an endless nocturnal walk. He prolonged them at times till three o'clock in the morning, having no other means of gaining a little sleep for his morbid nerves. This extreme nervousness was betrayed by his delicate hands, burned with acids and deformed by tools of the laboratory, whose fingers twitched incessantly in uncontrollable movements.

From all his actions could be divined the dominant trait of his character, a moral infirmity for which there is no precise term, the inability to continue any sensation or to persist in any effort of the will. That was the secret of the singular uneasiness which this man, so distinguished in certain ways, imparted to those around him, and from which he was the first to suffer. One felt that in the hands of this strangely irritable person every enterprise would fail, and that a kind of inward and irresistible frenzy prevented him from putting himself in harmony with any environment, any circumstance, any necessity. This superior nature was incapable of submission to facts.

Perhaps the secret of his unbalanced condition lay in the fixed idea that he had been at one time so near the throne and had lost it forever, that he had seen irreparable faults committed in politics and in war, that he had known of them while they were taking place and had not been able to prevent them.