The landau stopped before the imposing door of a palace, having, like its neighbors, a marble peristyle, and brilliantly painted, like the other houses. The balustrade of the balcony upon the first floor bore a huge carved escutcheon, displaying the three stars of the Fregosi, an emblem that was once dreaded all over the Mediterranean when the vessels of the Republic swept the seas of the Pisans, the Venetians, the Catalans, Turks, and French.

The new arrivals were received by a concierge wearing the livery, very much soiled, of the Fregosi, the buttons stamped with armorial bearings. He carried a colossal silver pommelled cane in his hand, and led the visitors into a vaulted vestibule at the foot of a huge staircase.

Beyond they could see an enclosed garden, planted with orange trees. Ripe fruit glowed among the sombre foliage, through which glimpses could be obtained of an artificial grotto peopled with gigantic statuary. Several sarcophagi embellished the entrance, characterized by that air of magnificence and decay common to old Italian mansions. How many generations had mounted that worn staircase since the gifted genius designed the white moulding upon a yellow background that decorated the ceiling! How many visitors had arrived here from the distant colonies with which the great Republic traded! And yet probably no more singular spectacle had been seen for three centuries, than that presented by the noble Venetian lady arriving from Cannes upon the yacht of an American, for the purpose of marrying a ruined would-be gentleman from Barbentane, and accompanied by a young American girl, and the morganatic wife of an Austrian archduke with her lover, one of the most artless, most provincial Frenchmen of the best school of French chivalry.

"You must admit that my wedding cortège is anything but commonplace," said Corancez to Hautefeuille, glancing at the three women behind whom he and his friend were standing.

They had not met since the morning they had visited the Jenny at Cannes. The acute Southerner, the moment of his arrival, had felt that there was a vague embarrassment in Pierre's greeting and in his expression. Upon the boat, the young lover's happiness had not been in the least troubled by the presence of Miss Marsh and of the Marchesa, although he knew they could not be ignorant of his sentiments. But he also knew that they would respect his feelings. With Corancez it was different. A mere glance of Corancez's disturbed him. "All is over," the Provençal had evidently thought. And, with his easy-going instincts of loose morality, Corancez was all the happier for his friend's happiness; he rejoiced in his friend's joy. He therefore bent all his energies upon the task of dispelling Hautefeuille's slight uneasiness, which he had discovered with his infallible tact.

"Yes," he went on in a conciliatory tone, "this staircase is a little more chic than the staircase of some vile mairie.—And it is also delightful to have such a friend as you for my witness! I don't know what life may hold in store for us, and I am not going to make a lot of protestations, but, remember, you can ask me anything, after this proof of your friendship.—There must have been a host of things that were disagreeable to you in this expedition. Don't deny it. I know you so well!—And yet you have faced them all for the sake of your old friend, who is not, for all that, Olivier du Prat.—Isn't my fiancée gloriously beautiful this morning?" he continued. "But, hush! here comes the old Prince in person, and Don Fortunato.—Watch closely, and listen; you'll find it worth your while!"

Two old gentlemen were just issuing from the entrance of a high windowed hall, at the top of the staircase. They might have stepped out of one of the pictures in which Longhi has fixed so accurately, and so unpretentiously, the picturesque humor of ancient Italy. One was the Abbé Lagumina, very thin, very little; with his shrivelled legs, no thicker than skeleton's, buried in knee-breeches, and stockings that came above his knees. His bowed body was wrapped in a long ecclesiastical frock-coat. He rubbed his hands together unceasingly and timidly, bowing all the time. And yet his physiognomy was so acute, so stamped with intelligence, that the ugliness of his huge nose and his toothless gums was forgotten and only the charm of his expression remained.

The other was Prince Paul Fregoso, the most celebrated descendant of that illustrious line, whose doughty deeds are inscribed in the golden book of Genoa's foreign wars, and, alas! in the book of brass devoted to her civil conflicts. The Prince owed his Christian name, Paul, an hereditary one in the family, to the legendary souvenirs of the famous Cardinal Fregoso, who was driven from the city, and ruled the seas for a long time as pirate.

This grandnephew of the curious hero was a veritable giant. His features were massive, and his eyes intensely bright. His feet and hands were distorted by gout. In spite of his faded, sordid costume, in spite of the fact that he was almost bent in two and leaned upon his stick, of which the point was protected from slipping by an india-rubber shield, Prince Paul looked every inch a descendant of the doges by his haughty mien. He spoke with a deep, voluminous, cavernous voice, that indicated great vigor even at his advanced time of life, for he was about seventy-nine years of age.

"Ladies," he said, "I beg you to excuse me for not having descended this diabolical staircase in order to greet you as I ought to have done. Please do not believe the epigram that our Tuscan enemies have made about us: 'At Genoa there are no birds in the air, the sea has no fish, the mountains are woodless, and the men without politeness.'—You see my birds," and he pointed through the window to the gulls that soared above the port in search of food. "I hope, if you do me the honor of lunching with me, that you will find my mullets are as good as those you get at Leghorn.—And, with your permission, we will go at once into another salon, where there is a fireplace. In that fireplace you will see plenty of wood that comes from my estates outside the Roman gate. With such a north wind we need plenty of warmth in these big halls, which in our fathers' time required only a scaldino.—The first greeting is that due to the health of our guests! Madame la baronne! Madame la marquise! Miss Marsh!"—And he bowed to each of the three ladies, although he did not know either of them, with an indescribable air of easy grace and ceremonious courtesy.—"The abbé will lead the way.—I can only follow you like an unfortunate gancio di mare—the deformed, miserable creature you call a crab," he added, addressing Corancez and Hautefeuille. He made them go on before him, and then dragged himself along in their wake with his poor, feeble steps, to a rather smaller salon.