"Well," replied Madame Gorka to Hafner with her habitual good-nature, "there are at least two of these coffers that I like and wish to have. I said it in so loud a tone that it is not worth the trouble of hoping that your Cavalier Fossati does not know it, if he really has that mode of espionage in practice. But forty or fifty pounds more make no difference—nor forty thousand even."
"Baron Hafner will warn you that your tone is not low enough," laughed Alba Steno, "and he will add his great phrase: 'You will never be diplomatic.' But," added the girl, turning toward Dorsenne, having drawn back from silent Lydia Maitland, and arranging to fall behind with the young man, "I am about to employ a little diplomacy in order to find out whether you have any trouble." And here her mobile face changed its expression, looking into Julien's with genuine anxiety. "Yes," said she, "I have never seen you so preoccupied as you seem to be this morning. Do you not feel well? Have you received ill news from Paris? What ails you?"
"I preoccupied?" replied Dorsenne. "You are mistaken. There is absolutely nothing, I assure you." It was impossible to lie with more apparent awkwardness, and if any one merited the scorn of Baron Hafner, it was he. Hardly had Madame Gorka spoken, when he had, with the rapidity of men of vivid imagination, seen Countess Steno and Maitland surprised by Gorka, at that very moment, in some place of rendezvous, and that surprise followed by a challenge, perhaps an immediate murder. And, as Alba continued to laugh merrily, his presentiment of her sad fate became so vivid that his face actually clouded over. He felt impelled to ascertain, when she questioned him, how great a friendship she bore him. But his effort to hide his emotion rendered his voice so harsh that the young girl resumed:
"I have vexed you by my questioning?"
"Not the least in the world," he replied, without being able to find a word of friendship. He felt at that moment incapable of talking, as they usually did, in that tone of familiarity, partly mocking, partly sentimental, and he added: "I simply think this exposition somewhat melancholy, that is all." And, with a smile, "But we shall lose the opportunity of having it shown us by our incomparable cicerone," and he obliged her, by quickening her pace, to rejoin the group piloted by Hafner through the magnificence of the almost deserted apartment.
"See," said the former broker of Berlin and of Paris, now an enlightened amateur—" see, how that charlatan of a Fossati has taken care not to increase the number of trinkets now that we are in the reception-rooms. These armchairs seem to await invited guests. They are known. They have been illustrated in a magazine of decorative art in Paris. And that dining-room through that door, with all the silver on the table, would you not think a fete had been prepared?"
"Baron," said Madame Gorka, "look at this material; it is of the eighteenth century, is it not?"
"Baron," asked Madame Maitland, "is this cup with the lid old Vienna or
Capadimonte?"
"Baron," said Florent Chapron, "is this armor of Florentine or Milanese workmanship?"
The eyeglass was raised to the Baron's thin nose, his small eyes glittered, his lips were pursed up, and he replied, in words as exact as if he had studied all the details of the catalogue verbatim. Their thanks were soon followed by many other questions, in which two voices alone did not join, that of Alba Steno and that of Dorsenne. Under any other circumstances, the latter would have tried to dissipate the increasing sadness of the young girl, who said no more to him after he repulsed her amicable anxiety. In reality, he attached no great importance to it. Those transitions from excessive gayety to sudden depression were so habitual with the Contessina, above all when with him. Although they were the sign of a vivid sentiment, the young man saw in them only nervous unrest, for his mind was absorbed with other thoughts.