The Story of André Cornélis

by Paul Bourget

"He has not forgotten you," I answered. In this I lied; for M. Massol had never spoken of my stepfather to me; but that frenzy which had made me attack him almost madly in the conversation of the other evening had seized upon me again. Should I never find the vulnerable spot in that dark soul for which I was always looking? This time his eyes did not falter, and whatever there was of the enigmatical in what I had said, did not lead him to question me farther. On the contrary, he put his finger on his lips. Used as he was to all the sounds of the house, he had heard a step approaching, and knew it was my mother's. Did I deceive myself, or was there an entreaty that I would respect the unsuspecting security of an innocent woman in the gesture by which he enjoined silence? Was I to translate the look that accompanied the sign into: "Do not awaken suspicion in your mother's mind, she would suffer too much;" and was his motive merely the solicitude of a man who desires to save his wife from the revival of a sad remembrance? She came in; with the same glance she saw us both, lighted by the same ray from the lamp, and she gave us a smile, meant for both of us in common, and fraught with the same tenderness for each. It had been the dream of her life that we should be together thus, and both of us with her, and, as she had told me at Compiègne, she imputed the obstacles which had hindered the realisation of her dream to my moody disposition. She came towards us, smiling, and carrying a silver tray with a glass of Vichy water upon it; this she held out to my stepfather, who drank the water eagerly, and, returning the glass to her, kissed her hand.

"Let us leave him to rest," she said, "his head is burning." Indeed, in merely touching the tips of his fingers, which he placed in mine, I could feel that he was highly feverish; but how was I to interpret this symptom, which was ambiguous like all the others, and might, like them, signify either moral or physical distress? I had sworn to myself that I would know; but how?—how?

I had been surprised by my stepfather's having expressed a wish to see me during his illness; but I was far more surprised when, a fortnight later, my servant announced M. Termonde in person, at my abode. I was in my study, and occupied in arranging some papers of my father's which I had brought up from Compiègne. I had passed these two weeks at my poor aunt's house, making a pretext of a final settlement of affairs, but in reality because I needed to reflect at leisure upon the course to be taken with respect to M. Termonde, and my reflections had increased my doubts. At my request, my mother had written to me three times, giving me news of the patient, so that I was aware he was now better and able to go out. On my return, the day before, I had selected a time at which I was almost sure not to see any one for my visit to my mother's house. And now, here was my stepfather, who had not been inside my door ten times since I had been installed in an apartment of my own, paying me a visit without the loss of an hour. My mother, he said, had sent him with a message to me. She had lent me two numbers of a review, and she now wanted them back as she was sending the yearly volume to be bound; so, as he was passing the door, he had stepped in to ask me for them. I examined him closely while he was giving this simple explanation of his visit, without being able to decide whether the pretext did or did not conceal his real motive. His complexion was more sallow than usual, the look in his eyes was more glittering, he handled his hat nervously.

"The reviews are not there," I answered; "we shall probably find them in the smoking-room."

It was not true that the two numbers were not there; I knew their exact place on the table in my study; but my father's portrait hung in the smoking-room, and the notion of bringing M. Termonde face to face with the picture, to see how he would bear the confrontation, had occurred to me. At first he did not observe the portrait at all; but I went to the side of the room on which the easel supporting it stood, and his eyes, following all my movements, encountered it. His eyelids opened and closed rapidly, and a sort of dark thrill passed over his face; then he turned his eyes carelessly upon another little picture hanging upon the wall. I did not give him time to recover from the shock; but, in pursuance of the almost brutal method from which I had hitherto gained so little, I persisted:

"Do you not think," said I, "that my father's portrait is strikingly like me? A friend of mine was saying the other day that if I had my hair arranged in the same way, my head would be exactly like——"

He looked first at me, and then at the picture, in the most leisurely way, like an expert in painting examining a work of art, without any other motive than that of establishing its authenticity. If this man had procured the death of him whose portrait he studied thus, his power over himself was indeed wonderful. But—was not the experiment a crucial one for him? To betray his trouble would be to avow all? How ardently I longed to place my hand upon his heart at that moment and to count its beats.

"You do resemble him," he said at length, "but not to that degree. The lower part of the chin especially, the nose and the mouth, are alike, but you have not the same look in the eyes, and the brows, forehead, and cheeks are not of the same shape."

"Do you think," said I, "that the resemblance is strong enough for me to startle the murderer if he were to meet me suddenly here, and thus?"—I advanced upon him, looking into the depths of his eyes as though I were imitating a dramatic scene. "Yes," I continued, "would the likeness of feature enable me to produce the effect of a spectre, on saying to the man, 'Do you recognise the son of him whom you killed?'"

"Now we are returning to our former discussion," he replied, without any farther alteration of his countenance; "that would depend upon the man's remorse, if he had any, and on his nervous system."