"Monsieur, a ticket for Place Cadet?"
IV
ONLOOKERS AND LOITERERS
A line of carriages, with white-gloved coachmen, semi-bourgeois equipages, had halted on the square in front of the restaurant; still another wedding party intending to banquet at Deffieux's.
A number of people had gathered in front of the door, to watch the bridal couple enter. Inquisitive folk abound in Paris; perhaps it would be more accurate to say that they abound everywhere. Why this general desire to see a bride, when she has not as yet performed all the duties which that title devolves upon her? Is it simply to see whether she is pretty, and to read upon her features whether or not she is looking forward joyfully to becoming a wife? This is a simple question that we ask, but we will not undertake to answer it.
Among the persons who had halted there, some in passing, others coming from the omnibus office, others on the way there, was a tall man, in the neighborhood of forty-five years, standing very straight, even bending back a little from the hips, with head erect, nose in air, and his hat on one side, in true roistering style.
This person, whose chestnut hair was beginning to be sprinkled with gray, had very irregular features. His eyes were small and deep-set, of a pale green shade, but full of fire and animation. His nose was crooked, slightly turned up, and might almost have been called flat. His mouth was large, but his teeth were fine, and not one was missing; so that his smile was not unattractive, especially as he was not over lavish of it. His chin retreated slightly, his cheek-bones, as a contrast, were exceedingly prominent; his complexion was high-colored and blotched, although he was thin both in body and face. With this unpromising exterior, my gentleman seemed none the less to consider himself an Apollo. He wore bushy mutton-chop whiskers, which almost met in the middle of his chin, leaving between them only a very narrow space, cleanly shaven, which he often caressed with affection, and which he called his dimple. His manners denoted no less self-assurance than familiarity with the world; and they would even have borne some traces of refinement, had he not adopted a sort of mincing gait not unlike that of a drum-major; but, instead of a great baton, this gentleman had a slender switch, curved at the top, which seemed to have been painted and gilded long before, but had lost a large part of its decoration. It was a very pliable switch, with which he constantly tapped his trousers-legs.
His costume did not indicate the dandy, although its wearer affected the manners of one. His linen trousers, of a very large check, seemed to have been cut from the skirt of some concierge. His waistcoat was also of a check pattern, but its colors did not harmonize at all with those of the trousers; nothing was wanting except the plaid to give him altogether the aspect of a Scotch Highlander; but, instead of the plaid, he wore a nut-brown frock-coat, with ample skirts, which he often left unbuttoned the better to display his slender figure, and in which he sometimes encased himself hermetically, as if it were a cloak. It is needless to say that this costume was entirely lacking in freshness.
This personage, who had a habit of speaking always in a very loud tone, so that everybody could hear what he said and presumably be struck with admiration by his wit,—a method of attracting attention which enables you to divine instantly the sort of man with whom you have to do—this personage pushed and jostled some of the loiterers, exclaiming:
"What's all this? what's all this? a wedding party, eh? Mon Dieu! is a wedding party such a very strange thing that everybody must stop and push and crowd, to see the couple? Triple idiots of Parisians! On my word, one would think they had never seen such a thing before!"
"What's that! what makes you push me so hard to get my place, if there's nothing to look at?" said a youngster in a blouse, whom the other had pushed away with some violence.