“Dear Lindor, I am ill at ease.”

“Did you not intrust yourself unreservedly to me?”

“Ah! I fear that I was not wise. What are you doing? Kissing me like this! Oh! that isn’t in the play.”

“Do we refuse a kiss to the lover who is to be our husband?”

“Stop—Lindor—Dorsan—— Oh! this scene——”

“Dear Rosine, what is it but the natural sequel? ought it not to crown our love?”

Madame de Marsan tried in vain to resist; it was too late; I had entered too completely into the spirit of my rôle, and she had identified herself with hers. We added to Le Barbier de Séville the scene which the audience does not see, but which it may well divine after the union of Almaviva and Rosine. For some time the thicket had witnessed that charming scene, half lighted by the moon. The fervor with which we played our parts caused us to forget the world and the fête. I was determined that Almaviva should obtain as great a triumph in the thicket as on the stage, and Rosine was so prompt in response that I could not lag behind. We had not begun to think of the dénouement, when it was hastened by an unforeseen incident; but, to explain it, we must return to the theatre.

Fanchon was acted indifferently well; many of the actors, not knowing their parts, had skipped several scenes; Raymond had done the same with his lines; so that the play was soon done. Neither Madame de Marsan’s absence nor mine was noticed; the actors supposed that we were in the audience, the spectators, that we were behind the scenes.

The vaudeville being finished, Raymond arranged his little scene in honor of the lady who had played Fanchon, and whose birthday it was. Everyone sang his or her couplet, and Raymond called for Madame de Marsan and myself to sing ours. As he did not find us, and as the dénouement was at hand, he ran into the wings and seized the cord to which was attached the surprise that was to descend upon Fanchon’s head. He pulled it slightly, and the weight that he felt above set his mind at rest, convincing him that the gardener had not forgotten to attach the wreath.

The moment had come; the orchestra played