“Yes, madame.—By the way, what about the grocer opposite?”

“What do we owe him?”

“Ninety-six francs.”

“Give him ten francs on account, that is quite enough.”

XVIII
THE HOUSE AT NOGENT.—THE REHEARSAL

Everything was made ready at Monsieur Glumeau’s country house for the festivities which he had announced long before to his friends and acquaintances. The day was fixed, the invitations issued. They had invited four times as many people as the house could hold; but in default of the house there was a garden, and over and above the garden there was a wood of about two acres; the guests who could not find room in the house had their choice between the wood and the garden; in the country there is always some way to arrange matters.

Monsieur Glumeau’s country house was nevertheless quite large and very well arranged. The garden was attractive and well filled with flowers; but the most attractive part of the whole estate was the little wood. Unfortunately it did not adjoin the garden; it was separated from it by a narrow path, not more than ten feet wide, which was open to the public. But the garden gate was opposite the gate leading into the wood, and the path was so quickly crossed that the separation was hardly noticeable. The one thing that the estate lacked was water; but pending the time when a river should appear, Monsieur Glumeau had had made behind his theatre a small basin, of about the capacity of two casks, in which one might at need have taken a foot bath.

It was in this little wood, enclosed by trellis work, which was supported by stone posts at intervals, that Monsieur Glumeau had conceived the idea of building a small theatre. The stage was supplied with all the accessories: wings, flies, arches, and drop curtain. But when the action of the play took place in a forest, instead of using a rear curtain, they simply used the wings, and the wood itself formed natural scenery, and afforded a lovely prospect which it is impossible to have in the city, even at the grand opera.

The theatre was covered with a board roof, which sheltered the scenery and the actors from possible storms. But as there was no auditorium, as the spectators simply sat or stood under the trees, in front of the drop curtain, it was most important for them that the weather should be fine, for rain would very speedily drive the audience away and leave the auditorium empty.

The friends who had accepted parts in the plays that were to be given came twice a week to pass the day with Glumeau, in order to rehearse.