He listened with apparent apathy, though I know not what echoes the sonorous lines awakened in his mind, until I came to the words:
| Venit summa dies et ineluctabile tempus. |
I saw his hands clench together feebly here, and then there was no more motion. Presently I looked into his face, and I knew that no sound of my voice, nor any sound of the world, could ever reach him again; for the story of his unspeakable sorrow, like the ruin of Troy, had been told to the end. He had spoken not a single word; he had carried the silence of his soul into the infinite silences of death. The secret of his life had passed with him. I shall probably never know what early dreams and ambitions had faded into this squalid despair. And his pitiful wan-faced boy—who was the child’s mother? I am glad I do not know; I am only glad I can tell him of your love. I shall see that the father is buried decently with a wooden slab to distinguish his grave from the innumerable dead who rest in the earth. Might we not print above his body the last words of the poem he seems to have loved so much: Fugit indignata sub umbras! For I think it was the indignity of shame in the end that killed him. Is he not now all that Cæsar and Virgil are? Shall he not sleep as peacefully in his pauper’s bed as the great General Grant in that mausoleum raised by the river’s side?—Commonplace thoughts that came to me as I sat for a while musing in the presence of death; but is not death the inevitable commonplace that shall put to rout all our originality in the end?
And all the while our Jack was sitting perfectly motionless by the window, looking out into the court—into the blue sky, I think. I picked up one of his thin hands and said to him: “Little Jack, your father has gone away from us and is at rest. There is a beautiful lady in the South who loves you as she loves me; will not her love make you happy?” He did not appear to understand me, but shrank into himself as if afraid. Indeed, sweet benefactress, I shall send him into the country somewhere as you bid me, and I shall see that your love brings him greater happiness than it has brought me, for with him you shall not withdraw with one hand what you have held out in the other.
I went away, leaving an old woman to care for the dead man and his child. It will be long before I forget how alien and far-away the noises of the street sounded as I passed out of that chamber of silence. Is it not a strange thing that death should have this power of benediction? Of a sudden a breath comes out of the heavens, our little cares are touched by an eternal presence, a rift is blown in the thick mists that hem us about, and behold, we look out into infinite visionless space. And now I am back in my office. I open O’Meara’s worn and much-stained Virgil, and inside the cover I find these words scribbled in pencil: “I have cried unto God and He hath not heard my cry; but thou, O beloved poet, art ever near with consolation!” I do not know whether the sentence is original with O’Meara or a quotation; it is certainly new to me. One other book I brought with me, and the two were the whole worldly possession of the dead man. This is a small but pretty thick blank-book, written over almost to the last page. I have not examined the contents carefully, but I can see that they are made up of miscellaneous passages copied from books and of reflections on a great variety of topics, with few or no records of events. One of the last entries is from Clarence Mangan’s heart-breaking poem, The Nameless One:
|
And tell how now, amid wreck and sorrow,
And want, and sickness, and houseless nights,
He bides in calmness the silent morrow
That no ray lights. Him grant a grave to, ye pitying noble, Deep in your bosoms: there let him dwell! He, too, had tears for all souls in trouble Here, and in hell. |
And is it not a touch of Fate’s irony that I should be sending this threnody of death to one who might expect to receive from me only messages and pleadings of love? Death and love are the very antipodes of our existence, one would say. And yet I do not know; I feel nothing incongruous in linking the twain together. Love, too, breaks open the barriers of our poor personality that the breath of the infinite may blow in upon us. I cannot say how it is with others, but so it is with me: love lays a hand upon me, and instantly the discords of the world are hushed in my ears, the little desires and fears that trouble me are shamed into silence, and I am rapt away into the infinitely great heart that throbs at the centre of all. It is strange, but life itself seems to pass away in the presence of this power that is the creator of life. I speak darkly, but my words have a meaning. And, dear sweetheart, be not afraid that you shall be left without a lover; that I shall bereave you! Do you think for an instant that I can cease to love? I cannot understand this war between your heart and your will; am I very stupid? Surely when I come to you, I shall bring this contention to an end, and you—it hath not entered into the heart of man to conceive what you shall give me. Out of the conclusions of death into the prophecies of love! I am filled with wondering.
You shall hear more hereafter of poor Jack, our adopted child.
XXVI
JESSICA TO PHILIP