BEGINNINGS IN PHILADELPHIA AND FIRST VOYAGE TO ENGLAND
The only printer then in New York was old William Bradford, formerly of Philadelphia, whose monument may still be seen in Trinity Churchyard. To Mr. William Bradford accordingly young Franklin applied for work; but there was little printing done in the town and Bradford had no need of another hand at the press. He told Franklin, however, that his son at Philadelphia had lately lost his principal assistant by death, and advised Franklin to go thither.
Without delay Franklin set out for that place, and after a somewhat adventurous journey arrived at the Market Street wharf about eight or nine o'clock of a Sunday morning.
Philadelphia at that time was a comfortable town of some ten thousand inhabitants, extending a mile or more along the Delaware and reaching only a few blocks back into the country. It was a shady easy-going place, with pleasant gardens about the houses, and something of Quaker repose and substantial thrift lent a charm to its busy life. Men were still living who could remember when unbroken forests held the place of Penn's city:—
"And the streets still reëcho the names of the trees of the forest,
As if they fain would appease the Dryads whose haunts they molested."
Franklin was fond of contrasting his humble entrance into his adopted home with the honorable station he afterwards acquired there. He was, as he says, in his working dress, his best clothes coming round by sea. He was dirty from being so long in the boat. His pockets were stuffed out with shirts and stockings, and he knew no one nor where to look for lodging. Fatigued with walking, rowing, and the want of sleep, he was very hungry; and his whole stock of cash consisted in a single dollar and about a shilling in copper coin, which he gave to the boatmen for his passage. At first they refused it on account of his having rowed, but he insisted on their taking it. "Man is sometimes," he adds, "more generous when he has little money than when he has plenty; perhaps to prevent his being thought to have but little."
It was indeed a strange entrance for the future statesman and scientist. As he walked up to Market Street he met a boy with bread, which reminded him forcibly of his hunger, and asking the boy where he had got his loaf he went straight to the same baker's. Here, after some difficulty due to difference of names in Boston and Philadelphia, he provided himself with three "great puffy rolls" for threepence, and with these he started up Market Street, eating one and carrying one under each arm, as his pockets were already full. On the way he passed the door of Mr. Read's house, where his future wife saw him and thought he made an awkward, ridiculous appearance. At Fourth Street he turned across to Chestnut and walked down Chestnut and Walnut, munching his roll all the way. Coming again to the river he took a drink of water, gave away the two remaining rolls to a poor woman, and started up Market Street again. He found a number of clean-dressed people all going in one direction, and by following them was led into the great meeting-house of the Quakers. There he sat down and looked about him. It was apparently a silent meeting, for not a word was spoken, and the boy, being now utterly exhausted, fell into a sleep from which he was roused only at the close of the service.
That night he lodged at the Crooked Billet, which despite its ominous name seems to have been a comfortable inn, and the next morning, having dressed as neatly as he could, set out to find employment. Andrew Bradford had no place for him; but another printer named Keimer, who had recently set up in business, was willing to give him work. It was a queer house and a queer printer. There was an old damaged press, on which Franklin exercised his skill in repairing, and a small worn-out font of type. Keimer himself, who seems to have been a grotesque compound of knave and crank, was engaged at once in composing and setting up in type an elegy on the death of a prominent young man. He is the only poet to my knowledge who ever used the composition-stick instead of a pen for the vehicle of inspiration. The elegy may still be read in Duyckinck's Cyclopædia, and on perusing it we may well repeat the first line:—
"What mournful accents thus accost mine ear!"