But I am in the Vale of Coxwould & wish You saw in how princely a manner I live in it—tis a Land of Plenty—I sit down alone to Venison, fish or wild fowl—or a couple of fowls—with curds, and strawberrys & cream, (and all the simple clean plenty wcḥ a rich Vally can produce)—with a Bottle of wine on my right hand (as in Bond street) to drink y health—I have a hundred hens & chickens [he sometimes spelt it chickings] ab my yard—and not a parishoner catches a hare a rabbit or a Trout—but he brings it as an offering—In short tis a golden Vally—& will be the golden Age when You govern the rural feast, my Bramine, & are the Mistress of my table & spread it with elegancy and that natural grace & bounty wtḥ wcḥ heaven has distinguish'd You...

—Time goes on slowly—every thing stands still—hours seem days & days seem Years whilst you lengthen the Distance between us—from Madras to Bombay—I shall think it shortening—and then desire & expectation will be upon the rack again—come—come—

But Eliza never came until Yorick had gone on a longer journey than Bombay. In England once more, she traded on her relation to the famous writer, and then reviled him. She associated with John Wilkes, and afterwards with the Abbé Raynal, who writ an absurd, pompous eulogy on "the Lady who has been so celebrated as the Correspondent of Mr. Sterne." It is engraved on her tomb in Bristol Cathedral that "genius and benevolence were united in her"; but the long letter composed in the vein of Mrs. Montagu and now printed from her manuscript belies the first, and her behaviour after Sterne's death makes a mockery of the second.

All this new material throws light on a phase of this matter which cannot be avoided in any discussion of Sterne's character: How far did his immorality actually extend? To Thackeray he was a "foul Satyr"; Bagehot thought he was merely an "old flirt," and others have seen various degrees of guilt in his philanderings. Now his relation to Eliza would seem to be pretty decisive of his character in this respect, and fortunately the evidence here published in full by Professor Cross leaves little room for doubt. There is, for one thing, an extraordinary letter which is given in facsimile from the rough draft, with all its erasures and corrections. It was addressed to Daniel Draper, but was never sent, apparently never completed. The substance of it is, to say the least, unusual:

I own it, Sir, that the writing a letter to a gentleman I have not the honour to be known to—a letter likewise upon no kind of business (in the ideas of the world) is a little out of the common course of things—but I'm so myself, and the impulse which makes me take up my pen is out of the common way too, for it arises from the honest pain I should feel in having so great esteem and friendship as I bear for Mrs. Draper—if I did not wish to hope and extend it to Mr. Draper also. I am really, dear sir, in love with your wife; but 'tis a love you would honour me for, for 'tis so like that I bear my own daughter, who is a good creature, that I scarce distinguish a difference betwixt it—that moment I had would have been the last.

Follows a polite offer of services, which is nothing to our purpose.

Now it is easy to say that such a letter was written with the hypocritical intention of allaying Mr. Draper's possible suspicions, and certainly the last sentence overshoots the mark. Against the general innocence of Sterne's life there exist, in particular, two damaging bits of evidence—that infamous thing in dog-Latin addressed to the master of the "Demoniacs," whose meaning must have been quite lost upon the daughter who published it, and a pair of brief notes to a woman named Hannah. Of the Latin letter one may say that it was probably written in the exaggerated tone of bravado suitable to its recipient; of both this and the notes one may add that they do not incriminate the later years of Sterne's life. As an offset we now have that extraordinary memorandum in the Journal to Eliza, dated April 24, 1767, which states explicitly, and convincingly, that he had led an entirely chaste life for the past fifteen years. It is not requisite, or indeed possible, to enter into the evidence further in this place, but the general inference may be stated with something like assurance: Sterne's relation to Eliza was purely sentimental, as was the case with most of his philandering; at the same time in his earlier years he had probably indulged in a life of pleasure such as was by no means uncommon among the clergy of his day. He was neither quite the lying scoundrel of Thackeray nor the "old flirt" of Bagehot, but a man led into many follies, and many kindnesses also, by an impulsive heart and a worldly philosophy. It is not his immorality that one has to complain of, and the talk in the books on that score is mostly foolishness; it is rather his bad taste. He cannot be much blamed for his estrangement from his wife, and his care for her comfort is not a little to his credit; but he might have refrained from writing to Eliza on the happiness they were to enjoy when the poor woman was dead—as he had already done to Mlle. Fourmantelle, and others, too, it may be. Mrs. Sterne, not long after the departure of Eliza, had written that she was coming over to England, and the Journal for a time is filled with forebodings of the confusion she was to bring with her. One hardly knows whether to smile or drop a tear over the Postscript added after the last regular entry:

Nov: 1sṭ All my dearest Eliza has turnd out more favourable than my hopes—Mrṣ S.—& my dear Girl have been 2 Months with me and they have this day left me to go to spend the Winter at York, after having settled every thing to their hearts content—Mrṣ Sterne retires into france, whence she purposes not to stir, till her death.—& never, has she vow'd, will give me another sorrowful or discontented hour—I have conquerd her, as I w every one else, by humanity & Generosity—& she leaves me, more than half in Love wtḥ me—She goes into the South of france, her health being insupportable in England—& her age, as she now confesses ten Years more, than I thought being on the edge of sixty—so God bless—& make the remainder of her Life happy—in order to wcḥ I am to remit her three hundred guineas a year—& give my dear Girl two thousand pdṣ—wtḥ wcḥ all Joy, I agree to,—but tis to be sunk into an annuity in the french Loans—

—And now Eliza! Let me talk to thee—But What can I say, What can I write—But the Yearnings of heart wasted with looking & wishing for thy Return—Return—Return! my dear Eliza! May heaven smooth the Way for thee to send thee safely to us, & joy for Ever.

So ends the famous Journal, which at last we are permitted to read with all its sins upon it. And I think the first observation that will occur to every reader is surprise that a master of style could write such slipshod, almost illiterate, English. The fact is a good many of the writers of the day were content to leave all minor matters of grammar and orthography to their printer, whom it was then the fashion to abuse. More than one page of stately English out of that formal age would look as queer as Sterne's hectic scribblings, could we see the original manuscript. But the ill taste of it all is quite as apparent, and unfortunately no printer could expunge that fault, along with his haphazard punctuation, from Sterne's published works. In another way his incongruous calling as a priest may be responsible for a note that particularly jars upon us to-day. Too often in the midst of very earthly sentiments he breaks forth with a bit of religious claptrap, as when in the Journal he cries out, "Great God of Mercy! shorten the Space betwixt us—Shorten the space of our miseries!"—or as when, in that letter to Lady Percy which so disgusted Thackeray, he dandles his temptations, and in the same breath tells how he has repeated the Lord's Prayer for the sake of deliverance from them. Again, I say, it is a matter of taste, for there is no reason to believe that Yorick's religious feelings were not just as sincere, and as volatile, too, as his love-making. They sometimes came to him at an inopportune moment.