"Must you actually receive her on the threshold like a princess?" she asked calmly. "We are not such extremely humble people."
"You are right," he said, somewhat confused. "I only wished to see if you were there."
She preceded him into the room. Immediately afterward the stranger entered. Christel met her with graceful cordiality; the young artist merely bowed in silence. The lady almost ignored him, and devoted herself exclusively to the young wife. Christel invited her to sit beside her on the stiff little sofa, and thanked her for having found time during her short stay to visit them.
"Our little old house is not one of the noteworthy sights of Rothenburg," she said. "We have no such beautiful wainscoting as in the hall of the Weissbacher house; and, although everything is old, it is not therefore beautiful. To be sure, it pleases me, because I have known it from childhood, and have seen people whom I loved sitting on all those ugly chairs. But my husband," and she glanced roguishly at him, "would look on without a pang, if all our furniture went to the second-hand dealer, or was thrust into the stove. The best that we have is free to all, and is there outside of the window. You must see our view, my lady. Then you will find it comprehensible, that even an artist can be contented with this old nest--but who knows for how long!"
Once more she glanced mischievously at Hans, who was pushing back the table in order to show the view to their guest. But the lady remained seated, saying that she had studied the Tauber valley thoroughly from the castle, and was now here solely on Christel's account. She had evidently intended to be very gracious and affable, and to encourage the shy young wife in every way; but when she realized that there was no need of this, her own manner became somewhat constrained. She was unusually quiet, and listened in silence to Christel's ingenuous prattle and the husband's occasional comments. The maid brought the coffee, and Christel served her guest without any ado. Meanwhile, she observed, the stranger's face closely, and seemed to become more and more confident and cheerful in consequence. Then she inquired about the lady's journey, about her husband; and asked if she had any children. As the stranger hastily answered this in the negative, the subject was dropped. Soon afterwards Christel's three oldest children rushed upstairs into the room; the larger boy held his younger sister, just two years old, in his arms; all four looked pretty and rosy, and were only a trifle abashed when their mother bade them shake hands with the stranger. The latter regarded them through her lorgnette with apparent good-will, but evidently did not know what to say to them. So, with a glance at the shabby little piano standing against the wall, she at once asked if Christel played.
She had played as a girl. Now she had too many household duties, and opened the old instrument only occasionally to accompany her children in a song.
Of course the guest desired to hear one of these family concerts, and, although the father remarked that it would be a very moderate pleasure, the young wife was soon persuaded. Gently lifting the youngest child from her lap, she placed it in the sofa corner. Then, seating herself at the piano, she struck several chords with an unpractised but musical hand, and played the melody of the song "In einem kühlen Grunde." The two boys and little Lulu came softly behind her, and began to sing somewhat shyly. But by the second stanza the young voices sounded fresh and courageous; and the mother sang with them, in a voice whose charming quaintness lent peculiar strength and meaning to the tender love-song.
Hans, sitting by the window, cast furtive glances at the stranger, whose face assumed a more and more bitter and unhappy expression, the longer she listened. When the song was finished, she did not speak. Christel arose and whispered something to the children, whereupon, after a courteous bow, they left the room. Then she took the youngest, which had fallen asleep, and carried it out to the maid. When she reentered, the two were still sitting in silent absorption.
"Will you not show your friend the atelier?" she asked brightly. "There is more to be seen there than down here."
He at once stood up, and the stranger also arose. "You do not know how well you sing!" she said, offering her hand to Christel. "Music always makes me sad; not the great roaring operas and concerts, but a pure, sympathetic human voice. And now let us go to this work-room of art."