"I know him. He's one of the spies in our house, who are on the payroll of the Council of Ten. He eats his daily bread in sin, for all of our secret is that we are honest. And because they think that this would be entirely impossible, we are regarded by them as the most dangerous and most secretive ones. Only for your sake, I dislike the fact that the sneak had entered here just now out of all times. He has seen that you shook hands with me. I can guarantee you that you, before one hour is up, will be listed in the black book of the tribunal."
Andrea smiled bitterly. "I don't fear them, my friend," he said.
"I'm a peaceful man and my conscience is calm." - -
Four days had passed since that conversation. Andrea had continued his usual life, had gone to the notary every morning, and had stayed at home at night, though now, having established a close relationship with the high police, he did not need to care about having a good reputation in the street della Cortesia any more.
Saturday evening, he asked Signora Giovanna for the key to the house. She praised him for making an exception to his rule. Today, she said, it was also worth the effort; to be among those watching the obsequies for the noble Signore Venier in San Rocco, could even tempt her. But she disliked being in a crowd, and then - he would know why this case gave her a particular feeling of dread.
He also preferred avoiding the nightly crowd, Andrea said. It suffocated him. He wanted to take a gondola and go out to the lido.
Thus, he left the old woman and turned to the direction opposite to San Rocco. It was already eight o'clock, a thin rain made the air hazy, but did not prevent the people from flocking to the church on the other side of the canal, where the exequies for the murdered inquisitor of the state were supposed to be held at this hour. Dark figures, some of them wearing masks, some of them protecting their faces against the drizzling rain by means of the brims of their hats, rushed past him to the ferries or to the Rialto Bridge, and the low ringing of bells buzzed through the air. In a side alley, Andrea stood still, pulled a mask out of his jacket, and tied it to his face. Then, he went to the nearest canal, jumped into a gondola, and exclaimed: "To San Rocco!"
The majestic, old church was already lit as bright as day by innumerable candles, and an immense crowd flooded around the empty catafalque, rising darkly in the middle of the nave without flowers and wreaths. Only a large silver cross stood at its top, and the black blanket showed on both sides the coat of arms of the house of Venier. On seats draped in black, filling the entire choir, each row rising above the one in front like in an amphitheatre, the aristocracy of Venice had taken their seats, assembled in a completeness which was even at important meetings of the Great Council rarely achieved. Nobody dared to be absent, because everyone had an interest in not allowing even the slightest doubt to be cast on his sincerity in mourning the deceased. On a special tribune, sat the foreign ambassadors. Their ranks were also complete.
From above, the trombones were playing the solemn introduction to a requiem, and a full-voiced choir, accompanied by the organ, intoned the elegy, which rolled heart-stirringly through the church and was heard outside in the square as well as far off in the neighbouring streets by people crowding to the church. The slight rain, which still continued, the darkness of the night, through which the bright windows of the church in the shape of roses of stone glowed wondrously even from a distance, the shy bustling and buzzing of the thousands impressed everyone in the area all around the church with a frightful, creepy feeling, which only a few might have been able to fend off. The closer they got to the entrance of the sacred room, which contained everything which was great and powerful in Venice, the more devoutly all lips fell silent. From behind the black masks, which according to the old custom appeared in a large number among the crowd at mournful and joyous celebrations alike, rather many frightful looks peered in through the bright portal for the catafalque, which was an even more perceivable warning to consider the end of all things and the meaninglessness of earthy power than the words of the song.
In a side alley, which in those days led through dark arcades and ended on the square of San Rocco, two men walked hastily, talking to one another. They did not see that in the darkness of the houses, a third man was following them closely, carefully hidden by a cloak and a mask, who at times came closer, at times stayed behind and let them increase their distance from him again. Those others did not wear the mask. One of them was a gentleman with a gray beard and a noble appearance, his companion seemed to be younger and of a lower class. He listened attentively to every word of the old man and only occasionally made a humble remark.
Now, they were reaching the spot where, from a lit house, a bright light fell across the alley. Swiftly, the masked one had passed them by, and as they were now walking closely past him, he peered with a keen look at both of their faces from behind a pillar. The features of the secretary of the inquisition emerged clearly for a moment out of the darkness. The voice of the old man had also been heard in the chamber of the secret tribunal. He had told Andrea Delfin to his face that he was a Candiano.