END OF THE EMBROIDERESS OF TREVISO.

LOTTKA.

[LOTTKA.]

I was not quite seventeen years old, an over-grown pale-faced young fellow, at that awkward and embarrassing age which, conscious, of having out-grown boyish ways, is yet very unsteady and insecure when seeking to tread in the footsteps of men. With an audacious fancy and a timid heart; oscillating between defiant self-confidence and girlish sensitiveness; snatching inquisitively at every veil that hides from mortal eyes the mysteries of human life; to-day knowing the last word of the last question, to-morrow confessing the alphabet has still to be learnt, and getting comfort after so restless and contradictory a fashion that one would have been intolerable to one's very self if not surrounded by fellows in misfortune---that is in years--who were faring no better, and yet continued to endure their personality.

It was at this time that I became intimate with a singular fellow who was some two years older than I, but like myself doomed to spend nearly another year as upper-class student. He did not attend the same gymnasium, nor were his relations, who lived out of Berlin, at all known to mine. I am really puzzled how to explain the fact that in spite of these obstacles we two became so friendly, that scarcely a day passed without his coming up the steep stairs that led to my rooms. Indeed even then a third party seeing us together might have found it hard to say what made us so essential to each other. He was in the habit of entering with a mere nod, walking up and down the room, now and then opening a book, or looking at a picture on the walls, and finally throwing himself into my grandfather's armchair--my substitute for a sofa--where, legs crossed, he would sit for hours, speaking not a word, until I had finished my Latin essay. Often when I looked up from the book before me I met his quiet, dreamy, brown eyes resting on me with a gentle brotherly expression, which made me nod to him in return; and it was a pleasure to me just to feel him there. If he chanced to find me idle, or in a communicative mood, he would let me run on by the hour without interruption, and his silent attention seemed to encourage and comfort me. It was only when we got upon the subject of music that he ever grew excited, and then we both lost ourselves in passionate debate. He had a splendid deep bass voice, that harmonized well with his manly aspect, dark eyes, and brown satin-smooth skin. And as he was also zealously studying the theory of music, it was easy for him to get the better of my superficial lay-talk by weighty arguments; yet whenever he thus drove me into a corner he always seemed pained at my defeat. I remember him, on one occasion, ringing me out of bed, formally to apologise for having, in the ardour of controversy, spoken of Rossini's Barbiere which I had been strenuously upholding, as a wretched shaver whose melodies, compared with those of Mozart, were of little more account than the soap-bubbles in his barber's basin.

In addition too to the extreme placidity that characterized him, he was always ready to do me a number of small services, such as the younger student usually renders to his senior, and there were two other things that helped to rivet our friendship: he had initiated me in the art of smoking, and set my first songs to music. There was one, I remember, which appeared to us at that time peculiarly felicitous both as to words and melody, and we used to sing it as a duet in all our walks together--

"I think in the olden days

That a maiden was loved by me;

But my heart is sick and troubled,

It is all a dream may-be.