"Who was the lady?" asked Felix, though he felt no particular curiosity on the subject.
"The stranger we saw yesterday. Strange! when I heard that unknown voice her face suddenly came up before my eyes again."
Felix said nothing. He had gone up to the modeling-bench, had begun to work at a great ball of clay about as large as the skull, and appeared to be completely absorbed in his task.
But they had scarcely been working on in this way, side by side and in silence, for more than a quarter of an hour when some one knocked softly on the door and Rosenbusch entered, looking excited, merry, and full of mischief.
He nodded to the friends, stepped close up to them and said, with an air of mysterious importance: "Do you know who is up-stairs? The lady of the Pinakothek! Angelica is painting her picture--she has succeeded--an incredibly resolute woman that! And can keep a secret like the devil! Now just conceive of it; I discovered her early this morning clearing up her studio, as though the queen had given notice of a visit. For that matter it always does look damned elegant and neat up there--flowers in whichever direction you turn, and a hothouse fragrance that makes you sick. But, to-day, it is a positive show-room! 'What the devil is this, Angelica?' said I; 'is to-day your birthday, or are you going to get engaged, or are you painting a Russian princess?'--for I had long forgotten all about the affair of yesterday. But she, turning round the old yellow-silk cushion on the armchair so as to present the side which had the fewest spots--she scarcely looked at me, and said: 'Go and get to work, Herr von Rosebud'--that is what she always calls me when she is cross--'I am not at home to you, to-day!' In this way she morally turned me out of doors without farther ceremony, and, I must confess, I rather like it in her; energy, fearlessness, the courage of one's opinions, are always fine, even in a woman. So I withdrew, wondering, and was already at work laying on my colors when I heard some one coming up the stairs. Yes, I was right, she was going to Angelica; and as the wall between us is not very thick, and they did not at first take the precaution to lower their voices, I discovered the whole mystery--that it is our beauty of yesterday, that she is going to have her picture painted, and that her first name is Julie. And now I appeal to you, friends and companions in art, are we men or cowardly poltroons? Are we to suffer this vixen to carry away such a prize from under our very noses, and to withhold such a paragon of beauty from us under our own roof? Or shall we rush up as one man, and, in the name of art, lay siege to the door of this obdurate sister, and compel her, by force or persuasion, to open to us?"
"I would advise you, Rosenbusch, to go quietly upstairs again and wreak your martial ardor on the battle of Lützen," Jansen answered, without the slightest approach to a smile. "But, if your excitement will not let you work, convey your homage to the lady through the wall by means of your flute. Perhaps they will invite you to come round and declaim some of your verses."
"Wretched scoffer!" cried the battle-painter. "I thought to render you a service by bringing you this news. But you are of the earth, earthy, and are incapable of soaring to any height of enthusiasm. Well, God be with you! I see that I am not understood down here!"
He rushed out of the door, and, sure enough, they soon afterward heard the flute pouring out its most melting passages.
This language, however, did not seem to be understood in the next room. Angelica's room remained tight shut, and when it was opened, a few hours after, soft steps came down the stairs, and the listeners below were led to conclude that the sitting was over.
In the mean while dinner-time had come, and the assistants in the adjoining room had stopped work and left the studio. Jansen, too--although, as a rule, he seldom made a pause before two o'clock--now laid down his modeling-tool.