"Be quiet over there, most fickle of mortals," cried Elfinger; "or I'll complain of you to Angelica. You must know they take turns in nursing us, these two good angels; and although that frivolous man opposite ought to thank God that such an excellent woman has finally received him into grace, he is perpetually making love to my sweetheart over the screen. Fortunately, I have, once and for all, said good-by to jealousy, which would certainly be ridiculous enough in a blind man--"

"I hope you exaggerate, Elfinger," interrupted Felix; "when we took leave of one another in Versailles the doctor gave us great reason to hope--"

"The way was a trifle long, and the snow-storm that welcomed us home to our fatherland--pshaw! If it is so, and I only have enough twilight left for me to recognize the outlines of a certain face when it is close to mine, I will be happy. But even if this is no longer possible, ought I not to count my lot fortunate? 'I had it once--I tell you I can recall all the faces I loved as distinctly as if I had a pair of perfect eyes in my head--" he felt for the hand of the blushing girl and pressed it to his lips. "And now," he said, "enough about my respected self. Since we last saw one another the most wonderful events have come to pass. The German empire and the German emperor! Good God, we praise Thee! Do you know, since all this happened I have begun to have some hope for the German stage again?"

"At all events, your colleagues have learned how to play the rôle of heroes respectably well, without opening their mouths wide, rolling their eyes, and sawing the air with their arms and legs."

"No, but seriously, do you remember our first conversation on this subject, my dear baron? Now just see whether I haven't cause for hope. Our want of unity was chiefly to blame for the wretched state of our stage. Imagine thirty-six court-theatres fighting with one another for the few actors who really have talent. Now, my idea is that, when they have become a little sick of military spectacles up there in the imperial capital, they will arrive at the conclusion that a great nation also needs a national theatre; not one in name, but one which shall really unite all the best talents. A model manager, a model repertoire, and model performances, not given oftener than, at the most, two days running; and not with one eye on Melpomene and Thalia, and the other on the cash-box, so that a miserable clap-trap piece will be allowed to remain on the desecrated boards thirty consecutive nights, merely because a few actresses change their dresses seven times in the course of the performance. Only the very choicest pieces must be selected, from the classical and modern stock, and the parts must be filled only by the strongest actors. All real talent must be engaged at any price, though there should be three Franz Moors and Ophelias playing against one another at the same time; and the whole must be emancipated from all court influence, and regarded as an imperial affair under the charge of the Minister of Culture, who should be responsible to the nation. What do you say to such a stage?"

"That it will continue to be too fine for this world for some time to come," answered Schnetz. "But who knows? Even this world can improve; we have seen how it has done in other fields. I only fear that, even under the most favorable circumstances, the other Germans will respectfully decline to give money, in majorem imperii gloriam, for a theatre of which the Berliners alone will reap the benefit."

"Naturally," cried Elfinger, gesticulating excitedly; "and they would have a perfect right to do so. For that very reason my plan is to make this model stage accessible to all the empire. What else do we have railroads for, and the gala-performances that have been attempted here and there? All that is necessary is that it should be made a regular institution. Six winter months in Berlin, a month's vacation, four months' of triumphal progress of the imperial actors through all the cities of Germany in which a worthy temple of the muses can be found, then another month of rest, and so on with grace in infinitum. Don't say a word against it! The thing has its difficulties, but, when we shall have gotten our theatrical Bismarck, you will see how well it will work, and then everybody will wonder why it was not thought of long before. Isn't it natural that the talent for impersonation should also grow richer among a people who have finally won self-respect, who have learned how to walk, and to stand, and to talk as well as the rest of the world? I--of course, I have retired from the scene. But, nevertheless, I can work for it. I will give instruction in declamation; I will open the minds of the young actors; I will show them how to recite verses and bring style into their prose--you know rhapsodists always have been blind from time immemorial--and with the aid of my little wife here, and of my tremendous memory--"

At this moment the young doctor came in. He had heard Elfinger's earnest speech outside in the corridor, and came to warn him not to over-excite himself. His friends took leave at once.

"I hope you won't leave Munich without having seen Angelica again," said Rosenbusch. Felix, though he would greatly have preferred not to look up any one else, had to promise that he would call on her. He did not notice the peculiarly sly look which the painter bestowed upon Schnetz. Still, although he believed he should not see these two good friends again, he left them with a comforted feeling. He knew that each, after his own fashion, had attained the goal of all his wishes.

CHAPTER VIII.