L'Arrabiata and Other Tales

by Paul Heyse

There, for the first time, had the painter caught sight of Laurella, who, with her pitcher on her head, had passed by without taking any notice of him. The Neapolitan, struck by her appearance, stood still and gazed after her, not heeding that he was standing in the very midst of the game, which, with two steps, he might have cleared. A very ungentle ball came knocking against his shins, as a reminder that this was not the spot to choose for meditation. He looked round, as if in expectation of some excuse. But the young boatman who had thrown the ball, stood silent among his friends, in an attitude of so much defiance, that the stranger had found it more advisable to go his ways, and avoid discussion. Still, this little encounter had been spoken of; particularly at the time when the painter had been pressing his suit to Laurella. "I do not even know him;" she had said, indignantly, when the painter asked her whether it was for the sake of that uncourteous lad, she now refused him? But she had heard that piece of gossip, and known Antonio well enough, when she had met him since.

And now they sat together in this boat, like two most deadly enemies, while their hearts were beating fit to kill them. Antonio's usually so good humoured face was heated scarlet; he struck the oars so sharply that the foam flew over to where Laurella sat; while his lips moved, as if muttering angry words. She pretended not to notice; wearing her most unconscious look, bending over the edge of the boat, and letting the cool water pass between her fingers. Then she threw off her handkerchief again, and began to smooth her hair, as though she had been alone. Only her eyebrows twitched, and she held up her wet hands in vain attempts to cool her burning cheeks.

Now they were well out into the open sea. The island was far behind, and the coast before them lay yet distant in the hot haze. Not a sail was within sight, far or near; not even a passing gull to break the stillness. Antonio looked all round; evidently ripening some hasty resolution. The colour faded suddenly from his cheek, and he dropped his oars. Laurella looked round involuntarily;--fearless,--but yet attentive.

"I must make an end of this;" the young fellow burst forth. "It has lasted too long already. I only wonder that it has not killed me!--you say you do not know me? And all this time, you must have seen me pass you like a madman, my whole heart full of what I had to tell you, and then you only made your crossest mouth, and turned your back upon me."

"What had I to say to you?" she curtly said. "I may have seen that you were inclined to meddle with me, but I do not choose to be on people's wicked tongues for nothing. I do not mean to have you for a husband. Neither you, nor any other."

"Nor any other? so will you not always say!--You say so now, because you would not have that painter. Bah! you were but a child! You will feel lonely enough yet, some day; and then, wild as you are, you will take the next best who comes to hand."

"Who knows? which of us can see the future? It may be that I change my mind. What is that to you?"

"What it is to me?" he flew out, starting to his feet, while the small boat leapt and danced; "what it is to me, you say? You know well enough! I tell you, that man shall perish miserably, to whom you shall prove kinder than you have been to me!"

"And to you, what did I ever promise?--Am I to blame, if you be mad?--What right have you to me?"

"Ah! I know," he cried, "my right is written nowhere. It has not been put in Latin by any lawyer, nor stamped with any seal. But this I feel; I have just the right to you, I have to Heaven, if I die an honest Christian. Do you think I could look on, and see you go to church with another man, and see the girls go by, and shrug their shoulders at me?"