"You are right," said Balder's clear voice. "Only you ought not to give the name of envy to what is really love, reverence, and the most beautiful and unselfish enthusiasm."
"Balder has hit the nail on the head, as usual," said Edwin.
Mohr turned. The brothers noticed that he was winking rapidly, as if desiring to make way with a suspicious moisture.
"It would be beautiful, if it were true," said he. "But this is only the bright side of my virtuosoship; it has its shadows too, and they grow broader than I like. I can see nothing that is complete and in harmony with itself, without envy; no self-satisfied stupidity, no broad-mouthed falsehood, no snobbish faces. And as if these worthies had really no right to be happy, the demon of envy induces me to say something cutting, merely to show them their own pitifulness. Thus in a short time I had all my worthy fellow-citizens about my ears, and wherever I went was decried, avoided, and warned off like a mad dog. It makes all the blood in my body boil, when I see how everywhere the scamps get on in the world, and how the honest fellows, who don't use their elbows, remain behind. You, for instance, if I had my way, should be driving in a handsome coach with servants at your command, as beseems the aristocracy of the human race. Instead of that, that insignificant fellow, Marquard, whom I met below, has his equipage, and graciously nods as he drives by, after reconnoitering me from top to toe through his gold spectacles. Death and perdition, who can see such things and not go wild--"
"Don't abuse our medical counsellor," said Edwin. "In spite of all you have said he is a good fellow, and his carriage would suit my trade and Balder's as little as my slow-stepping scientific methods would suit his empirical gallop. Besides--"
At this moment they heard from the windows below, the first bars of the overture to Glück's "Orpheus."
Mohr approached the window again, and listened attentively.
"Who is playing?" he asked after a time, in an undertone.
"One of the inmates of the house, a young lady of whom we know little more than that she gives music-lessons. Last night--I have not yet told you of it, Balder--I found her absorbed in Schopenhauer's Parerga. She spoke enthusiastically about the chapter on 'the sorrows of the world.'
"Her music bears witness that in those sorrows she had had experience," said Mohr. "Women only play as she does when their hearts have been once broken and then pieced together again. It is with them as it is with old violins, which must be shattered several times before they have the right resonance. But hush, it is growing still more beautiful."