One Sunday afternoon in May we had taken a delightful walk, and on our return the little almshouse chapel stood before us in its dense robe of ivy, illumined by the full radiance of the sun, looking so beautiful and venerable that, for the first time, we gazed at it attentively and remarked how strange it was that we had never desired to see the interior. Though we now heard from the seven matrons that it was perfectly bare and the walls had nothing but spiders' webs, Frau Luise asked for the key, which had not been used for years, and, attended by the whole train of knitting courtiers, we entered the deserted old chapel.
There was, in truth, nothing remarkable to be seen. A tolerably bright light fell through four long, narrow, arched windows, but illumined nothing save bare walls destitute of pillars, entablatures, or other architectural decorations. Within the choir there was only the square, brick foundation of the altar, raised one step above the floor. In a corner opposite stood a bier covered with a black pall, thickly coated with dust. The little almshouse chapel had doubtless served for a receiving tomb so long as the graveyard outside was used. This thought did not make the cellar-like place more agreeable, and we were about to go back to the warm spring sunshine when my eyes fell upon a high, narrow, wooden box, which stood on the other side just opposite to the altar. Great was my surprise when, after having vainly fumbled about the case for a time, a lid suddenly flew back, and an old harmonium appeared. How it came there I could never ascertain. These instruments are still very rare in our province, and it is hardly probable that years ago the almshouse had a pious and wealthy patron in the city, who desired to aid the religious service in the poor little church by such an endowment.
So we examined our treasure with astonished eyes. When I touched the keys, dull and somewhat rusty, yet not wholly discordant notes stole forth, as if the sleeping soul, so long confined there, were waking, and its first sound was a timid expression of thanks to its deliverers.
The case was instantly drawn forward, and I prepared to play. Frau Luise, with sparkling eyes, came to my side. I began "A mountain fastness is our Lord," and she joined in with her voice, at first timidly, it was so long since she had sung a note, but soon with all her former depth of feeling, till my heart thrilled with ecstasy. When it was over, I began the introduction to our beloved Orpheus aria, and how my friend's marvelous alto voice rang through the lofty, empty chapel! The seven old dames sat silently on the step of the altar, the click of the knitting-needles was no longer heard, nothing mingled with the melody except the low twittering of the birds. So in the utmost delight we practiced for some time, not stopping with this one aria, and many airs which we had sung to our little Joachim returned to his mother's mind.
At last emotion overpowered her, and I ceased playing, rose, and held out my hand, which she cordially pressed. We knew what remained unuttered.
"This must not be the last time we are happy here," I said; "later in the summer this concert-room will be a pleasant refuge, though now the damp, close atmosphere oppresses us. I wonder that you could control your voice so well, Frau Luise."
She made no reply, but passed out through the doorway. I walked by her side, and the seven maids-of-honor followed. But what was our amazement to see a crowd of people gathered outside the threshold, who respectfully formed into two lines to allow the singer and her train to pass. Not only some of the plain people from the few neighboring houses had flocked hither, attracted by the music, but several of the prominent families in the city, among them the burgomaster and his two daughters, who while returning from a Sunday walk had heard with astonishment the strong, beautiful tones issuing from the long silent chapel, and stopped to enjoy the free concert.
The burgomaster himself, a great lover of music, seemed so amazed by the discovery that so admirable an artist had been concealed in the humble almshouse that he did not utter a word to express his homage--only bowed low and silently lifted his hat as she passed. The audience of both high and low degree speedily dispersed; yet, as I walked home in the evening, I caught many a word from the worthy citizens, sitting before their doors or going to get their beer, which betrayed how our church-music still echoed in the ears of the listeners.
The Canoness at the almshouse formed the topic of every conversation during the evening, and no three women whispered together ten minutes over their coffee without saying something for or against their interesting new neighbor.
When, on the following afternoon, I went to my friend, she asked, smiling: "Guess what distinguished visitor I have had to-day, Johannes?" Then she told me that the burgomaster himself had called on her, and, amid many compliments on, her singing, asked if she would give lessons to his daughters. The two girls, who had been waiting outside, entered, blushing, and, as she did not refuse the request, sang to her at their father's bidding in fresh, though untrained, young voices, after which she gladly consented to give them two lessons a week, and was to begin the next morning. The only point now was to procure a piano, the harmonium being far too powerful to be used to accompany singing.