A clearly conceived aim must control all teaching
One of the very first elements in good teaching is the clear recognition of a well-defined aim that gives purpose and direction to all that is attempted in a lesson or in a period. The chief cause of poor teaching is aimless teaching, in which the sole object seems to be to fill the allotted time with talking about the facts of a given subject. We sit patiently through a recitation in English literature. Act I, Scene 1 of Hamlet had been assigned for home study and is now the text for the hour. Questions are asked on the dramatic structure of this scene, on versification, on the meaning of words and expressions now obsolete, on peculiarities of syntax, and finally a question or two on a character portrayal. The bell brings these questions to an abrupt end. Ask teacher and students the aim of all these questions. To the former, they are means of testing the students' knowledge of a variety of facts of language and literature; to the latter they mean little, and serve only to repress a living interest and appreciation of living literary text. How much more effective the hour in English literature would have been if the entire act had been assigned with a view to giving the students an insight into the dramatic structure of each scene in this act and of the act as a whole. All the questions would then bear on dramatic movement, on the dramatist's technique, on his way of arousing interest in his story, on devices for giving the cause and the development of the action. In the opening scene we read:
Elsinore. A Platform before the Castle.
Francisco at his post. Enter to him Bernardo.
Ber. Who's there?
Fran. Nay, answer me; stand, and unfold yourself.
Ber. Long live the King!
Fran. Bernardo?
Ber. He.
Fran. You come most carefully upon your hour.
Ber. 'Tis now struck twelve; get thee to bed, Francisco.