Between Tiber and Arno there flourished, while Rome was still a collection of mud huts above the Tiber ford, a rich, energetic, and mysterious people, the Etruscans, whose civilization was to influence Rome profoundly. Their riches have been known to the modern world ever since the systematic looting of the fabulous wealth of their underground tombs began, as early as 1489. Visitors to the Vatican and Villa Giulia Museums in Rome, and, better still, the Archaeological Museum in Florence, can marvel at the splendid weapons, rich gold-work, and handsome vases with which more or less scientific grave-robbers have enriched the collections in the last hundred years. Travellers to Tarquinia, on the Tuscan seaboard, can wonder at the strange, vivid paintings and seemingly indecipherable inscriptions on the walls of mysterious and intricate underground chambers. Etruscan bronze-work inspired the sculptors of the Renaissance, Etruscan tombs were drawn by the pen of the great engraver Piranesi, Etruscan cities and cemeteries were described by perhaps the most interesting author, certainly the best stylist, who ever wrote on archaeology, the Englishman George Dennis.

Dennis’ Cities and Cemeteries of Etruria, though its last edition appeared in 1883, is still the best general introduction to Etruscology. His achievement is the more remarkable in the light of the conditions under which he worked: execrable roads, worse lodging, and malaria stalking the whole countryside. In his day Etruscan tombs were exploited exclusively in the interest of the art dealers, with methods utterly unscientific. Artifacts without commercial value were ruthlessly destroyed: it is heart-rending to read Dennis’ account of the rape of Vulci:

“Our astonishment was only equalled by our indignation when we saw the labourers dash [coarse pottery of unfigured and ... unvarnished ware, and a variety of small articles in black clay] to the ground as they drew them forth, and crush them beneath their feet as things ‘cheaper than seaweed.’ In vain I pleaded to save some from destruction; for though of no remarkable worth, they were often of curious and elegant forms, and valuable as relics of the olden time, not to be replaced; but no, it was all roba di schiocchezza—‘foolish stuff’—the [foreman] was inexorable; his orders were to destroy immediately whatever was of no pecuniary value, and he could not allow me to carry away one of these relics which he so despised.”

Unfortunately, looting of this kind produced much of the material in our museums, whose precise findspots (from the German Fundort, the precise place where an archaeologically significant object was found) are consequently often not known. On the other hand scientific excavation, when it came, in the mid-nineteenth century found still some tombs unplundered.

Our knowledge of Etruscan civilization is almost entirely a triumph of this modern scientific archaeology, since written Etruscan, with no known affinities, is still largely undeciphered, though scientific methods have made large strides possible. In the last three generations archaeologists have attacked and in great measure solved the problem of the origin of the Etruscans, the nature of their cities, their political organization, their religious beliefs and practices, the degree of originality in their creative arts, their life and customs. The result is a composite picture of the greatest people to dominate the Italian peninsula before the Romans.

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As to origins, the Etruscans might have been indigenous, or come down over the Alps, or, as most of the ancients believed, have come by sea from Asia Minor. The difference of their burial customs and, probably, their language from those of their neighbors makes it unlikely that their ruling class was native like, for example, the Villanovans; the archaeological evidence for their links with the North is very late, and the Northern theory has tended to fall along with the discrediting of Pigorini’s notions (based, as we saw, on unwarranted reconstruction of the terremare) about a single line of descent for Etruscan and Italic peoples. There remains the theory of Near Eastern origin, first stated in the fifth century B.C. by the Greek historian Herodotus, and recently (in the 1930’s) given some slight support by Italian excavators’ discovery of an inscription dated about 600 B.C. on the island of Lemnos, off the coast of Asia Minor opposite Troy. Though the Lemnian dialect is non-Indo-European, and therefore, like Etruscan, cannot be read, its archaic letters can be transliterated. Beginning with the bottom center line ([Fig. 2.1]), continuing with the line on the far left, and reading boustrophedon (alternately from right to left and from left to right, like an ox plowing), it reads evistho zeronaith zivai/ sialchveiz aviz/ maraz mav/ vanalasial zeronai morinail/ aker tavarzio/ holaiez naphoth ziazi. The resemblance to the alphabet and the art-forms of the Aules Feluskes stele from Etruscan Vetulonia ([Fig. 2.2]) is obvious. The particular letter-form transcribed as th occurs elsewhere only in Phrygia in Asia Minor. The very words and word-endings of the Lemnian stele can be found on Etruscan inscriptions. Thus the inscription shows at the very least that on an island “geographically intermediate between Asia Minor and Italy a language very similar to Etruscan was employed by some persons.” The ancient tradition localizing the original home of the Etruscans somewhere in or near northwest Asia Minor receives here some archaeological support.

Fig. 2.1 Lemnos. Inscription in local dialect, similar to Etruscan.

(M. Pallottino, Etruscologia, Pl. 4)