"There you go, Hester, there you go ag'in, a-pattin' the devil on the back. I 'low the Old Boy must be tickled to death with all the compliments Christian people give him."

"A body 'd about as well be complimentin' the devil as to be a-countenancin' his works, as you air."

The old man stopped with a piece half-way to his mouth. "Now jest listen at that! Hester Prime, ain't you ashamed of yoreself? Me a-countenancin' wrong! Sayin' that to me, an' me ol' enough to be—to be—well, I 'm your husband, anyway."

In times of excitement he was apt to forget this fact for the instant and give his wife her maiden name, as if all that was sharp in her belonged to that prenuptial period. But this storm relieved the atmosphere of its tension. Mrs. Hodges felt better for having spoken her mind, and Mr. Hodges for having answered, while the young man was relieved by the championship of his elder, and so the storm blew over. It was several days before Brent saw Elizabeth again; but, thanks to favouring winds, the sky had also cleared in that direction.

It was through such petty calms and storms that Fred passed the days and weeks of his first year at the seminary. Some of them were small annoyances, to be sure, but he felt them deeply, and the sting of them rankled. It is not to be supposed, because

there was no specific outburst, that he was entirely at rest. Vesuvius had slumbered long before Pompeii's direful day. His mind was often in revolt, but he kept it to himself or confided it to only one friend. This friend was a fellow-student at the seminary, a man older than Fred by some years. He had first begun a literary career, but had renounced it for the ministry. Even to him Fred would not commit himself until, near the end of the year, Taylor declared his intention of now renouncing the study of theology for his old pursuits. Then Brent's longing to be free likewise drew his story from his lips.

Taylor listened to him with the air of one who had been through it all and could sympathise. Then he surprised his friend by saying, "Don't be a fool, Brent. It 's all very nice and easy to talk about striking out for one's self, and all that. I 've been through it all myself. My advice to you is, stay here, go through the academic discipline, and be a parson. Get into a rut if you will, for some ruts are safe. When we are buried deep, they keep us from toppling over. This may be a sort of weak philosophy I am trying to teach you, but it is the happiest.

If I can save any man from self-delusion, I want to do it. I 'll tell you why. When I was at school some fool put it into my head that I could write. I hardly know how it came about. I began scribbling of my own accord and for my own amusement. Sometimes I showed the things to my friend, who was a fool: he bade me keep on, saying that I had talent. I did n't believe it at first. But when a fellow keeps dinging at another with one remark, after a while he grows to believe it, especially when it is pleasant. It is vastly easy to believe what we want to believe. So I came to think that I could write, and my soul was fired with the ambition to make a name for myself in literature. When I should have been turning Virgil into English for class-room, I was turning out more or less deformed verse of my own, or rapt in the contemplation of some plot for story or play. But somehow I got through school without a decided flunk. In the mean time some of my lines had found their way into print, and the little cheques I received for them had set my head buzzing with dreams of wealth to be made by my pen. If we could only pass the pitfalls of that dreaming age of youth, most of us would get

along fairly well in this matter-of-fact old world. But we are likely to follow blindly the leadings of our dreams until we run our heads smack into a corner-post of reality. Then we awaken, but in most cases too late.