Behind the pageantries of Japanese political warfare, economic and social realities were horrid. The Japanese printed money which had far less backing than cigar store coupons. They bankrupted all non-Japanese business so that Japanese carpetbaggers could buy their way in cheap; businesses owned by white foreigners were expropriated out of hand. They cut off communications, spread terror, raised the price of food, put hospitals out of business, degraded schools—and received the devoted loyalty of large parts of the cheated populations. It did not matter to millions of Burmese whether they had lived well under British rule or not; the British did not let them have their own flag, did not let them send ministers and ambassadors, did not let them run a scow up and down the river with a mortar on it, calling it a navy. The miranda, the pageantry of politics, was what mattered—not law-and-order, democracy, security, education, health.[38]

The same story might have been repeated on a larger scale throughout the Far East, perhaps ultimately leading to something like Lothrop Stoddard's old nightmare, The Rising Tide of Color. Countervening factors included the presence of Chinese agitation both Kuomintang and Communist in leadership, guerrilla operations throughout Southeast Asia, and the ruinous economic effects of American submarine and Fourteenth Air Force anti-shipping operations. Shipping losses drove the Greater East Asia Co-prosperity Sphere below subsistence level and created a condition where even the most fanatic patriot realized the disadvantages of the situation.

The Japanese put all the captured radios to work. They had traitors of all kinds on their side—including, it is shameful to admit, Americans, Russians, British, Australians, and French. (Despite the fact they occupied all of Guam, they never used a single Guamanian traitor—testimony to the simple loyalty to the U.S. of the Chamorro people and to the popularity of the long-established U.S. naval government on the island.)

Japanese psychological warfare failed because the real warfare behind it failed. The Japanese could not whip their over-docile troops into a fighting frenzy without allowing those troops to behave in a way which made deadly enemies for Japan among the peoples she came to "liberate." The Japanese did not have sense enough to be satisfied with 100% return per year on their money, but wrecked the conquered economic systems with inflation, poor management, and excess exploitation. Even the quislings became restless under the poor occupation policies of the Japanese, and before the war was over a considerable number of the Japanese quislings re-quislinged back to the United Nations side.

Theater Psychological Warfare.

In contrast, the American psychological warfare structure included Theater operating units, usually called PWB (Psychological Warfare Branch), although it became PWD (Psychological Warfare Division) in SHAEF and did not grow beyond TPWO (Theater Psychological Warfare Officer) in China Theater. The supreme authority was, of course, the Theater Commander, on whose responsibility the operation had to be carried out. When propaganda bungled and got into the field of political trouble, it was the Theater Commander and not the subordinates who took the blame. Every theater was under the command of a general, except for Central Pacific (under Admiral Nimitz, and he used an Army colonel as his propaganda chief). In most theaters, the Political Adviser was the buffer between psychological warfare and the commander himself; in Southwest Pacific and later the Headquarters of the Supreme Commander for the Allied Powers, Japan, General MacArthur instituted the office of Military Secretary and made this officer responsible for reporting to him personally the developments in the propaganda field.

Subject to local variation, the Theater agencies faced similar problems. They had to serve in turn as a rear echelon to service the needs of combat propaganda, while working as the actual operating agencies for the bigger radio programs and the preparation of strategic leaflets. As the areas behind them became more consolidated, displays and films took their place beside news and leaflets as chores that had to be performed. Communications facilities were a problem. Purely military facilities could not, of course, be overloaded by the lightly coded transmission of hundreds of thousands of words of political and other news and guidance; the psychological warfare establishments had to jerry-build communications facilities out of what they could borrow from Army, or obtain from OWI supplies in the United States, or buy locally.

In most Theater organizations, the chief was a military man and the staff was partly military and partly civilian. Under General Eisenhower, PWD was not only Army and OWI but included OSS, on the American side, along with British partnership, French participation, and other Allied personnel as well. Under General MacArthur, OWI participated under strict Army control. Under General Stilwell, no Theater organization as such was set up; the G-2, the Political Adviser or the General himself handled propaganda matters when they turned up. Under General Wedemeyer, there was a Theater officer. Under General Sultan, the OWI ran itself; the Outpost serviced the Theater. Under General Clay, Information Control Service, OMGUS, became an integral part of military control. The same thing happened in General MacArthur's reorganized PWB—an organization termed CIES (Civil Information and Education Section) had the organization and personnel not only of the American structure, but the usable purged parts of the Joho Kyoku obedient to its command and liaison. Other Theaters had comparable arrangements, each suited to the Theater.

Figure 50: Consolidation Propaganda: Door Gods. One of the most unusual consolidation propaganda operations was the distribution of "door gods." These were small good-looking posters which traditionally displayed figures from the Chinese Pantheon. During the war, farm families who had been accustomed to putting up new door gods each lunar New Year found that they could not afford them. China Division, OWI, then run by F. M. Fisher, Richard Watts, Jr., Graham Peck, and James Stewart, made up new door gods which showed American aviators, thus familiarizing the Chinese peasantry with our insignia and preaching the cause of inter-Allied cooperation.