But happily several of the works which saw the light in consequence of the decision of this chapter have been preserved to us. It is to this that we owe the Legend of the Three Companions and the Second Life by Thomas of Celano.
IV. Legend of the Three Companions[30]
The life of St. Francis which has come down to us under the name of the Legend of the Three Companions was finished on August 11, 1246, in a little convent in the vale of Rieti, which appears often in the course of this history, that of Greccio. This hermitage had been Francis's favorite abode, especially in the latter part of his life. He had thus made it doubly dear to the hearts of his disciples.[31] It naturally became, from the earliest days of the Order, the headquarters of the Observants,[32] and it remains through all the centuries one of the purest centres of Franciscan piety.
The authors of this legend were men worthy to tell St. Francis's story, and perhaps the most capable of doing it: the friars Leo, Angelo, and Rufino. All three had lived in intimacy with him, and had been his companions through the most important years. More than this, they took the trouble to go to others for further information, particularly to Filippo, the visitor of the Clarisses, to Illuminato di Rieti, Masseo di Marignano, John, the confidant of Egidio, and Bernardo di Quintavalle.
Such names as these promise much, and happily we are not disappointed in our expectation. As it has come down to us, this document is the only one worthy from the point of view of history to be placed beside the First Life by Celano.
The names of the authors and the date of the composition indicate before examination the tendency with which it is likely to be in harmony. It is the first manifesto of the Brothers who remained faithful to the spirit and letter of the Rule. This is confirmed by an attentive reading; it is at least as much a panegyric of Poverty as a history of St. Francis.
We naturally expect to see the Three Companions relating to us with a very particular delight the innumerable features of the legends of which Greccio was the theatre; we turn to the end of the volume, expecting to find the story of the last years of which they were witnesses, and are lost in surprise to find nothing of the kind.
While the first half of the work describes Francis's youth, filling out here and there Celano's First Life, the second[33] is devoted to a picture of the early days of the Order, a picture of incomparable freshness and intensity of life; but strangely enough, after having told us so much at length of Francis's youth and then of the first days of the Order, the story abruptly leaps over from the year 1220 to the death and the canonization, to which after all only a few pages are given.[34]
This is too extraordinary to be the result of chance. What has happened? It is evident that the Legend of the Three Companions as we have it to-day is only a fragment of the original, which was no doubt revised, corrected, and considerably cut down by the authorities of the Order before they would permit it to be circulated.[35] If the authors had been interrupted in their work, and obliged to cut short the end, as might have been the case, they would have said so in their letter of envoy, but there are still other arguments in favor of our hypothesis.
Brother Leo having had the first and principal part in the production of the work of the Three Companions, it is often called Brother Leo's Legend; now Brother Leo's Legend is several times cited by Ubertini di Casali, arraigned before the court of Avignon by the party of the Common Observance. Evidently Ubertini would have taken good care not to appeal to an apocryphal document; a false citation would have been enough to bring him to confusion, and his enemies would not have failed to make the most of his imprudence. We have at hand all the documents of the trial,[36] attacks, replies, counter replies, and nowhere do we see the Liberals accuse their adversary of falsehood. For that matter, the latter makes his citations with a precision that admits of no cavil.[37] He appeals to writings to be found in a press in the convent of Assisi, of which he gives sometimes a copy, sometimes an original.[38] We are then authorized to conclude that we have here fragments which have survived the suppression of the last and most important part of the Legend of the Three Companions.