“Go down, Moses, way down in Egypt’s land,
Tell ol’ Pharaoh, let my people go.”
sang the woman in tones that awakened ringing harmonies in the heart of every listener.
“By Jove!” Reuel heard Livingston exclaim. For himself he was dazed, thrilled; never save among the great artists of the earth, was such a voice heard alive with the divine fire.
Some of the women in the audience wept; there was the distinct echo of a sob in the deathly quiet which gave tribute to the power of genius. Spellbound they sat beneath the outpoured anguish of a suffering soul. All the horror, the degradation from which a race had been delivered were in the pleading strains of the singer’s voice. It strained the senses almost beyond endurance. It pictured to that self-possessed, highly-cultured New England assemblage as nothing else ever had, the awfulness of the hell from which a people had been happily plucked.
Reuel was carried out of himself; he leaned forward in eager contemplation of the artist; he grew cold with terror and fear. Surely it could not be—he must be dreaming! It was incredible! Even as he whispered the words to himself the hall seemed to grow dim and shadowy; the sea of faces melted away; there before him in the blaze of light—like a lovely phantom—stood a woman wearing the face of his vision of the afternoon!
CHAPTER III.
It was Hallow-eve.
The north wind blew a cutting blast over the stately Charles, and broke the waves into a miniature flood; it swept the streets of the University city, and danced on into the outlying suburbs tossing the last leaves about in gay disorder, not even sparing the quiet precincts of Mount Auburn cemetery. A deep, clear, moonless sky stretched overhead, from which hung myriads of sparkling stars.
In Mount Auburn, where the residences of the rich lay far apart, darkness and quietness had early settled down. The main street seemed given over to the duskiness of the evening, and with one exception, there seemed no light on earth or in heaven save the cold gleam of the stars.
The one exception was in the home of Charlie Vance, or “Adonis,” as he was called by his familiars. The Vance estate was a spacious house with rambling ells, tortuous chimney-stacks, and corners, eaves and ledges; the grounds were extensive and well kept telling silently of the opulence of its owner. Its windows sent forth a cheering light. Dinner was just over.