CHAPTER II
WATCHING THE BEES
Father Ballard walked slowly up the path from the garden, wiping his brow, for the heat was oppressive. “Mary, my dear, I see signs of swarming. The bees are hanging out on that hive under the Tolman Sweet. Where’s Betty?”
“She’s down cellar churning, but she can leave. Bobby’s getting fretful, anyway, and she can take him under the trees and watch the bees and amuse him. Betty!” Mary Ballard went to the short flight of steps leading to the paved basement, dark and cool: “Betty, father wants you to watch the bees, dear. Find Bobby. He’s so still I’m afraid he’s out at the currant bushes again, and he’ll make himself sick. Keep an eye on the hive under the Tolman Sweet particularly, dear.”
Gladly Betty bounded up the steps and darted away to find the baby who was still called the baby by reason of his being the last arrival, although he was nearly three, and an active little tyrant at that. Watching the bees was Betty’s delight. Minding the baby, lolling under the trees reading her books, gazing up into the great branches, and all the time keeping an eye on the hives scattered about in the garden,––nothing could be pleasanter.
Naturally Betty could not understand all she read in the books she carried out from the library, for purely children’s 10 books were very few in those days. The children of the present day would be dismayed were they asked to read what Betty pondered over with avidity and loved. Her father’s library was his one extravagance, even though the purchase of books was always a serious matter, each volume being discussed and debated about, and only obtained after due preparation by sundry small economies.
As for worldly possessions, the Ballards had started out with nothing at all but their own two hands, and, as assets, well-equipped brains, their love for each other, a fair amount of thrift, and a large share of what Mary Ballard’s old Grannie Sherman used to designate as “gumption.” Exactly what she intended should be understood by the word it would be hard to say, unless it might be the faculty with which, when one thing proved to be no longer feasible as a shift toward progress and the making of a living for an increasing family, they were enabled to discover other means and work them out to a productive conclusion.
Thus, when times grew hard under the stress of the Civil War, and the works of art representing many hours of Bertrand Ballard’s keenest effort lay in his studio unpurchased, and even carefully created portraits, ordered and painstakingly painted, were left on his hands, unclaimed and unpaid for, he quietly turned his attention to his garden, saying, “People can live without pictures, but they must eat.”