11 The asonante in this scene is generally in o-e, o-o, o-a, which are nearly all alike in sound. In the second scene the asonante is in a-e, as in "scatter", etc. [[Return]]
12 See [note] referring to the auto, "The Sacred Parnassus", Act 1, p. 21. [[Return]]
13 The asonante changes here into five-lined stanzas in ordinary rhyme. Three lines rhyme one way and two the other. Poems in this metre are called in Spanish Versos de arte mayor, from the greater skill supposed to be required for their composition. [[Return]]
14 The asonante is single here, consisting only of the long accented o, as in "Rome", "globe", "dome", etc. [[Return]]
15 Champion, or combater, the name generally given the Cid. [[Return]]