WHEN MODELING FOR COLOR CEMENT HANDICRAFT or for any applied art it will be found that three forms that are least modeled will be most pleasing in the years of usage. High relief is not refined or deservable in applied modeling. Sculptors everywhere are studying and returning to the chaste, quiet forms of flat bas-reliefs of which we find excellent examples among the early work of the Egyptians, Byzantines, the early Indian and Chinese carvings, as well as the work of the Aztecs and Maya Indians of early America. A few examples of these types are shown and workers in color cement will find ultimately that they have chosen a good influence if they will work their projects in color cement handicraft in this manner.

High projecting parts and naturalistic representation of flower or foliage masses are neither pleasing nor artistic and a visit by anyone to the good museums will fail to find any such productions from the art ages of the past recorded as good examples of the era.

Keep all parts applied to the curved or flat surface of the bowl, vase, box or tile so that it appears to have been always a part of it rather than an afterthought and detachable in relation.