Miriam Halden, Mr. Hilton, Griffin, Margaret Howes, Herbert Lester and David—officially known as Francis Edward, but particularly recognized by his twin as Frad—all sat at the same rose-decked table with Patricia, and, as Griffin put it, they made the other tables look "like thirty cents in pennies." The candle light sparkled on laughing eyes and white teeth, and ripples of merriment enlivened every mouthful of the savory dishes that Dufranne's dignified François, aided by the radiant Henry, served continuously.
Patricia felt sorry for Elinor and Bruce that they should be marooned among the elder and more serious members of the party, but, as David pointed out to her in an answering whisper, they seemed uncommonly satisfied where they were and not at all in need of sympathy.
"We're going to see the decoration—the one Elinor made for the church, you know," said Patricia to Miriam as they left the festive, disheveled sitting-room to the rejuvenating hands of Hannah Ann and Henry, and went with the chatting crowd into the big studio again. "Bruce wouldn't have the luncheon in here because we couldn't get a good view of it if the place was cluttered up with tables and things. He's fearfully proud of it. He says it's as good as lots of regular artists could do."
"She hasn't been studying long, has she?" asked Miriam, with her eyes intent on the long blue curtain that screened the decoration from sight.
"Just last summer with Miss Auborn and Bruce, and then three months at the Academy and with Bruce again," replied Patricia proudly. "Bruce wouldn't let her stay at the Academy all the time. He thinks it's best to work like the old masters used to, in the studio of some artist, doing things right away. He didn't want Elinor's originality to get barnacles, he said."
Bruce stepped to the space that had been with difficulty kept at the west side of the studio, and stood before them with his hand raised.
"We asked you today to help us break up housekeeping," he said with his winning smile; "but I must confess that I for one have deceived you. I planned to get you all here for a totally different purpose, and I trust you will approve of my craftiness when you have seen what I have to show you."
"Sure we will," interposed Tom Hughes in an unexpectedly audible stage whisper, which greatly confused him, but delighted Patricia and David.
"You all know," Bruce went on, "that I have been trying an experiment of my favorite theory of art education, but very few of you know how it has progressed. And it is to show you the result that I have lured you here today—to crow over some of you, in fact. The canvas I am going to show you was designed, executed as far as it has gone, entirely by Miss Elinor Kendall, a student of hardly more than nine months' study. The subject is the 'Nativity' and it is designed for a chancel in a small church."
As the curtain was drawn from the long canvas Patricia's eyes were on the faces of those in whose impressions she was most interested, and they gave her great satisfaction. Mrs. Bingham's eyes were wide and startled as those of the small hen who discovers that her ungainly child is really a white swan.