"This is nice enough," she said incisively. "It takes away the taste of the jumbled dressing room, but it makes me all the readier for the real thing—the people and the lights and the dancing. I simply can't waste another instant," and she parted the heavy fold and they slipped into the radiant Arabian land of fairy.
Lights were flashing everywhere, and everywhere silks and jewels shimmered in oriental profusion, striking the eye with a bewildering medley of color.
Patricia drew in her breath with a sharp little sigh of satisfied anticipation, but had no more than a murmur for Elinor's rapturous exclamations, so busy was she with the brilliant scene before her.
Among the palms and costly rugs that backgrounded a marvelous regal dais occupying one long end of the great room, sat the glittering figure of the portly Haroun-al-Raschid, Sultan of Bagdad and husband of many lovely wives, whose multi-colored costumes made a glowing garden on the rugs at the foot of the dais, while on the embroidered cushions at the side of the monarch a lovely Scheherazade in shimmering white satin with strings of glistening gems in her hair, on her breast, on her arms and ankles, made an alluring picture of the new-made bride. Tall palms reared their stately fronds above the group and slave girls, with fierce Nubians in attendance, waited in mute homage at either side of the throne. Lamps of brass glittered in the alcoves back of the great dais, and above it all the roofs and minarets of the ancient city gloomed in the moonlight of the thousand and second night.
All about the spacious hall were groups of Arabians, of fair Circassians, of dusky Nubians and turbaned Turks, while the rustle of costly fabrics and the odor of heavy Eastern perfumes floated in the air; the modern city outside in the wintry electric lights was well forgot in the enchantment of the moment, and Patricia lost count of time and sense of self in the pageant that swept across the lofty chamber to make its obeisance at the imperial divan.
"Look, Norn, look," she whispered, as Aladdin and his mother, in rustling native embroidered silks, led another Princess of China in bridal procession across the center of the scene, their rich dresses making a bright spot in the shifting medley of color. "She's not half so lovely as you, for all her things are so fine. I wonder who—why, it's Doris Leighton! She never told us what she was going to be; and she knew you were to be the Princess. Isn't it queer?"
"We didn't many of us tell, you know," returned Elinor absently, with her eyes on Morgiana meekly following her master with the basket of fruit which was to be such a feature in her triumphant dance after the robbers had been boiled alive in their own panniers. "There's Margaret Howes. Isn't she lovely in that pomegranate and gold? What queer slippers she has—just like the ballet dancers. And there's Ali Baba with the forty thieves, all the portrait class men in a bunch."
"And the young king of the Black Isles and his wife!" cried Patricia, giggling. "That's Jeffries, the modeling-room pet, and Miss Green. She'll exercise the black art in earnest. Did you ever see such paralyzing expressions as she can call up! That pastry cook is Peacock, the assistant in the antique. I know him by his red hair."
As the procession wound to its finish the Sultan arose and with many courteous speeches in the eastern phraseology welcomed the company to the night's entertainment, explaining that the first half would be employed in various acts by those who had appeared in the procession, with an intermission when refreshments would be served by slaves, after which there would be a general dance followed by supper in the antechamber.
A space was cleared in the center of the room, and there was a general rush to secure good positions. Patricia found herself separated from Elinor by a broad-shouldered Moslem whose slow speech revealed him as the good-natured Naskowski.