“Take off your hat,” he added eagerly; “I haven’t had a good look at you yet.”
She took off her hat, went toward the door, and laid it with her cape on a chair, always with the same remarkable composure of movement. Then she came forward to the light again, and now we could see her face clearly.
It was pale and narrow, but not small in proportion to her figure. The chin was strong, projecting, especially as she held her head very high, and her profile ran into it prettily from the rounded cranium. The nose was straight, the lips straight and pale, the contour of the cheek uncommonly severe and beautiful, the eyebrows a little sunk towards the middle; and the eyes, partly shut against the light, looked steadily and calmly out from under short, dark lashes. Her hair, too, was dark. It was hard to tell the color of the eyes, which seemed to shift from the suggestion of gray that violets have at twilight to the glimmer of the darkest lake. Also their size must have been more variable than usual, for according to the thought that burned in them they widened with distended pupils, or closed around the steel blades of her glance;—the muscles around them were indicated under the skin with uncommon sharpness.
Her figure was slim and childish, that of a city girl of fifteen; the neck slender and supple. Every expression of the face was childish, too, but her general appearance bore the stamp of firmness, of set character, which comes from living life all the way through.
She looked at us without letting her glance rest on anyone, looked beyond us at the studies on the wall, pausing a little longer there, till at last her gaze met the yellow dials of the clock in the church tower as it stared in through the dark atmosphere framed by the window, and her face caught at it in silent recognition. She sat down a little to one side of us with her thin wrists crossed, her eyes still, reposeful and dark.
We did not know what we should say to her, she was so strange, so different from everything else, as she sat there in her black garments. It was as if the darkness, the unknown darkness outside which hid the future, had taken form and pressed in amongst us, grave and enigmatical.
“What’s your name?” someone asked.
“Cecilia.”
The name acted as a stimulus to our imagination. Cecilia, the organ song that rises through the struggling light of the church vaulting, upward, ever upward, strong as if it knew its goal, pure through the clarity of space, freezing under the chill of the stars. But what a strange Cecilia was this! What song did those eyes dream?
“And you go around alone on such an evening, Cecilia! Were you going anywhere?”