ACKNOWLEDGMENTS
The special thanks of the translator are due to the American-Scandinavian Foundation of New York City for permission to include the stories by Verner von Heidenstam from the two volumes of The Charles Men, as well as for stories by Söderberg and Siwertz which appeared in the American Scandinavian Review.
Three stories by Söderberg were published in Hearst’s Magazine, and others in The Freeman, The Bookman, World Fiction and The Wave. Hallström’s “Out of the Dark” appeared in The Double Dealer. We gladly acknowledge our debt to the proprietors of these magazines for allowing us to reprint from their pages.
Our chief debt is, however, to the original authors and to A. Bonnier and Co., Stockholm, for the right to translate these specimens of Swedish genius into another language.
PREFACE
It is curious that, despite the rapid growth of interest in Scandinavian literature through the English-speaking world, there has been up to now no book to represent one of the most brilliant fields of achievement, the Swedish short story. The work of Selma Lagerlof is well known and a volume of Per Hallström has appeared recently, but no attempt has been made to represent a group of the leading masters. The present collection, whatever its failings, will at least indicate the power and variety of the Scandinavian genius in a new and important phase of its expression.
The four authors here included are all living and active, from which it may be rightly inferred that the Swedish short story is of recent development. Verner von Heidenstam, born in 1859, winner of the Nobel Prize for Literature in 1916, has an international reputation but is not as yet widely known in America. The stories here selected are from his historical novel, The Charles Men, set in the time of Charles XII; for though the book has a clear unity, the separate chapters can be understood perfectly by themselves. Per Hallström, somewhat younger, is ranked even higher by Swedish critics as a master of short stories. The volume of translations just published omits, quite unaccountably, the two specimens here given which belong to his very best style. Hjalmar Söderberg, also a writer in his fifties, has been called the Anatole France of Sweden. Unknown in America up to now, his stories have won marked favor on their appearance in magazines. Sigfrid Siwertz, but slightly over forty, is the most promising of the younger generation. Less outstanding than the others, he has nevertheless a fine balance and much grace of detail. His chief novel, under the title Downstream, has just appeared in translation.